http://www.lisaradford.net/content-exploration daily 0.75 2014-08-19 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406262166133-J69ZJZB98F1Y3F9OR54W/%231.jpg Work with others Sam George and Lisa Radford Untitled (Here) 2013 digitally printed flag with knot Melbourne Now National Gallery of Victoria https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406262166133-J69ZJZB98F1Y3F9OR54W/%231.jpg Work with others Sam George and Lisa Radford Untitled (Here) 2013 digitally printed flag with knot Melbourne Now National Gallery of Victoria https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406262219712-9LB7R98YUE0PD3V747JM/FlagThirdBiennale8.JPG Work with others Sam George and Lisa Radford Google Wave 2012 digitally printed flag, flag pole, VCA external wall. Installed as part of Christopher LG Hill's Third/Fourth Melbourne artist-Facilitated Biennial Margaret Lawrence Gallery 31 May – 23 June, 2013   https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406262639448-5E7B7KK89DHSS7SCFGMV/google+wave.jpg Work with others Sam George and Lisa Radford Google Wave 2012 digitally printed flag, flag pole, Quarry installed at The Sculpture Park, Waikato, New Zealand https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406262291369-OS6M7DZBZ8BACZ8ZPGRY/Untitled%28International_Code_Signal%29_detail.jpg Work with others Sam George and Lisa Radford Untitled (International Signal Code) 2011 acrylic on canvas https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406262642148-K75YHTRP5Q3N9HU89HC4/dotdotdot.jpg Work with others Sam George and Lisa Radford dot dot dot 2010 digital file https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406262646692-S8E6TO5DQWD9LAJJW96K/lisamwecan.jpg Work with others Sam George and Lisa Radford Untitled (bigsteps) 2010 acrylic on floor https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406262178006-39LDMW4VYECI6DU5FF8N/studio_artists_show_2012_low_res-59.jpg Work with others Christopher LG Hill with paintings by Lisa Radford, Lucina Lane and Evan Morgan Graham   https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406262442042-FJKGTLOT5VCU29T4CZMU/P1040797.jpg Work with others Kati Rule and Lisa Radford World Map 2010 Items collected from opportunity shops in Lismore. NSW. Items selected were made elsewhere   http://www.lisaradford.net/australian-studiesnew-gallery daily 0.75 2014-08-19 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406264455862-NIMY2LL9N4PGF6QR0Y5H/LRadford_FurniturePainting%28Almost+high+vis%29_2014.jpg 2014 Australian Studies | Furniture Paintings Furniture Painting (Almost high vis) 2014 acrylic on plastic, stretcher https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406264455862-NIMY2LL9N4PGF6QR0Y5H/LRadford_FurniturePainting%28Almost+high+vis%29_2014.jpg 2014 Australian Studies | Furniture Paintings Furniture Painting (Almost high vis) 2014 acrylic on plastic, stretcher https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406264501943-37FUGLUKVD6Y4WF724JR/LRadford_FurniturePainting%28Joy%27sBlanket%29_2014.jpg 2014 Australian Studies | Furniture Paintings Furniture Painting (Joy's Blanket) 2013 acrylic on plastic, stretcher https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406264465252-4AIXGC4H7FRYFMV59AUW/LRadford_FurniturePainting%28Blanket%29_2014.jpg 2014 Australian Studies | Furniture Paintings Furniture Painting (Blanket) 2013 acrylic on plastic, stretcher https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406264476076-B1TTUG2ATM9KMT1R5VFX/LRadford_FurniturePainting%28Ev%27s+Gove%29_2014.jpg 2014 Australian Studies | Furniture Paintings Furniture Painting (Ev's Gove) 2014 acrylic on mdf from MAS https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406266413609-WA8LTVJ3NE6PPXYCSBBT/IMG_6171.jpg 2014 Australian Studies | Furniture Paintings Furniture Painting (Medicare) 2014 acrylic on mdf from MAS https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406266318436-966AHTZ6JOJWVHF4XXLE/IMG_6152.jpg 2014 Australian Studies | Furniture Paintings Furniture Painting (Nori Nori) 2014 acrylic on mdf from MAS https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406264493034-J4IZ4H0OQ273XW73RWZD/LRadford_FurniturePainting%28Hells1%29_2014.jpg 2014 Australian Studies | Furniture Paintings Furniture Painting (Hells 1) 2014 acrylic on linen, maps https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406264482161-0CUYZV3T5J4SNX5G8E45/LRadford_FurniturePainting%28Hell+No.1-2%29_2014.jpg 2014 Australian Studies | Furniture Paintings Furniture Painting (Hells 1-2) 2014 acrylic on linen, maps https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406264447277-Q08RX7TDC8KGHGOSKS0G/LRadford_FurniturePainting+%28Hells+1-3%29_2014.jpg 2014 Australian Studies | Furniture Paintings Furniture Painting (Hells 1-3) 2014 acrylic on linen, maps http://www.lisaradford.net/like-mike daily 0.75 2020-10-27 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406278367526-WATX4L6LEORWY0OTO8DF/02_LRadford_FurniturePainting%28Copenhagen_Berlin%29.jpg 2013 Like Mike Furniture Painting (Copenhagen/Berlin) 2012 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406278367526-WATX4L6LEORWY0OTO8DF/02_LRadford_FurniturePainting%28Copenhagen_Berlin%29.jpg 2013 Like Mike Furniture Painting (Copenhagen/Berlin) 2012 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406277652460-OVYCZ4XRZ0W4VK3FXYPE/Furniture+Painting+with+Molly+Cook+%28Bundoora%29+2013.JPG 2013 Like Mike Furniture Painting with Molly Cook (Bundoora) 2013 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406277646107-PUEEI2GL0MAHN7741BPG/Furniture+Painting+%28Towel%292013.JPG 2013 Like Mike Furniture Painting (Towel) 2013 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406277609761-Z544M0UHSZJMWAENMITW/Furniture+Painting+%28Brash+%26+Ghost%29+2011.JPG 2013 Like Mike Furniture Painting (Brashs & its Ghost) 2011 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406277609095-B9ZA63VDDSCKOGDMY44O/Furniture+Painting+%281000+Sheets%29+2013.JPG 2013 Like Mike Furniture Painting (1000 Sheets) 2013 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406277649501-SYQAQ5PB6Y7Q9FXZT48D/Furniture+Painting+%28Town+%26+Country%29+2013.JPG 2013 Like Mike Furniture Painting (Town & Country) 2013 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406277626183-NL7DCOCHMNHWNF2A85GP/Furniture+Painting+%28Brooklyn%29+2012.JPG 2013 Like Mike Furniture Painting (Brooklyn) 2012 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406277617816-1HQRO6I95JZEMMI6GE5K/Furniture+Painting+%28HollandFabricParis%29+2013.JPG 2013 Like Mike Furniture Painting (Holland Fabric Paris) 2013 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406277628109-0H56LJORJ0XDTN80741Q/Furniture+Painting+%28Super+Obama%29+2013.JPG 2013 Like Mike Furniture Painting (Super Obama) 2013 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406277635990-4ONYXHR9TCQKV9I0KCVR/Furniture+Painting+%28Teevee+Snack%29+2013.JPG 2013 Like Mike Furniture Painting (Teevee Snacks) 2013 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406278471281-TR96PEQBLIU0WIUOW0DA/11_LRadford_Untitled%28For+Alex%292011.jpg 2013 Like Mike Furniture painting (Lucky Charms for Alex) 2011 http://www.lisaradford.net/furniture-paintings daily 0.75 2020-10-27 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603777763571-OWMYW2Y24H8L39W471CH/_MG_9242.JPG 2013 Furniture Paintings | Sculpture Party Untitled Furniture Painting (Southern Ocean Blue), 2013 acrylic on ply, plastic bangle From the exhibition Sculpture Party including works by Laura Pedersen, Sherry Paddon, Narelle Desmond, Madeline Kidd and Nöel Skrzypczak https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603777763571-OWMYW2Y24H8L39W471CH/_MG_9242.JPG 2013 Furniture Paintings | Sculpture Party Untitled Furniture Painting (Southern Ocean Blue), 2013 acrylic on ply, plastic bangle From the exhibition Sculpture Party including works by Laura Pedersen, Sherry Paddon, Narelle Desmond, Madeline Kidd and Nöel Skrzypczak https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603777761655-1N1PXLSTXFO78VTLVNDY/_MG_9243.JPG 2013 Furniture Paintings | Sculpture Party Untitled Furniture Painting (Missing Chopstick), 2013 acrylic on ply, disposable chopsticks https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603777775705-4JVPOTR9AJ88SPNAADS2/_MG_9244.JPG 2013 Furniture Paintings | Sculpture Party Untitled Furniture Painting (from & for Jess with Alice's Done Rag) 2012 acrylic and pencil on ply, cotton https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603777777801-CZ4BPCMRP7WOQAKYGCYI/_MG_9245.JPG 2013 Furniture Paintings | Sculpture Party Untitled Furniture Painting (Alice's Done Rag), 2013 acrylic on ply https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603777787213-DD02JUXF47W8SH3WGS6O/_MG_9261.JPG 2013 Furniture Paintings | Sculpture Party https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603777790375-PU0YTJ0EYO1ZPSQEQ4EX/_MG_9263.JPG 2013 Furniture Paintings | Sculpture Party http://www.lisaradford.net/modern-canadacana daily 0.75 2019-06-03 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406261374913-G93JCZS31EJ3MT4FI0A5/Furniture+Painting+%28Stop%29%2C+2013+Acrylic+on+ply%2C+frame%2C+digital+prints.jpg 2013 c. At Sea, Before Dinner Furniture Painting (Stop) 2013 acrylic on ply, frame, digital prints https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406261374913-G93JCZS31EJ3MT4FI0A5/Furniture+Painting+%28Stop%29%2C+2013+Acrylic+on+ply%2C+frame%2C+digital+prints.jpg 2013 c. At Sea, Before Dinner Furniture Painting (Stop) 2013 acrylic on ply, frame, digital prints https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406261514619-1FONW0EZC57K3RUJ6EPJ/Furniture+Painting+%28Istanbul+Kati+Matt%29%2C+2013+acrylic+on+ply%2C+frame2.jpg 2013 c. At Sea, Before Dinner Furniture Painting (Istanbul Kati Matt) 2013 acrylic on ply, frame https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406269795511-QG1NZ9ISR276IU2PWH60/_DSC4872.jpg 2013 c. At Sea, Before Dinner Furniture Painting (Blue Bricks) 2013 acrylic & pencil on ply, frame, digital prints https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406268718271-2GS4OUQE7E8D50Z2H723/_DSC4871.jpg 2013 c. At Sea, Before Dinner Furniture Painting (Afghan Kites) 2013 acrylic on ply https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406263583638-CO8DSV7XCVAYFRGHIP14/Furniture+Painting+%28Joy%27s+chair%29%2C+2013+acrylic+on+ply%2C+frame.jpg 2013 c. At Sea, Before Dinner Furniture Painting (Joy's chair) 2013 acrylic on ply, frame https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406261260115-6IMV6I7KGY7U1OHCC2HH/Furniture+Painting+%28West+Space+Staircase%29%2C+2013+acrylic+on+ply.jpg 2013 c. At Sea, Before Dinner Furniture Painting (West Space Staircase) 2013 acrylic on ply This one is also a card made by Sunray Studios. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406263522468-79L5SLR7J82RBAWSJ2E0/Furniture+Painting+%28Daniel%27s+Map%29%2C+2013+acrylic+%26+pencil+on+ply%2C+frame%2C+Meredith+Turnball+necklace.jpg 2013 c. At Sea, Before Dinner Furniture Painting (Daniel's Map) 2013 acrylic & pencil on ply, frame, Meredith Turnball necklace https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265652632-W9F93EQD1YIOEOQ7M55A/_DSC4851.jpg 2013 c. At Sea, Before Dinner https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406263477046-T1GK22J7IVGWVUN4GI4P/cAt+Sea+Before+Dinner.jpg 2013 c. At Sea, Before Dinner https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265570744-YPHAYOH2UF1IUTN7U0QC/_DSC4849.jpg 2013 c. At Sea, Before Dinner https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265743433-8WQAROSTXNXK6RZS2OAU/_DSC4860.jpg 2013 c. At Sea, Before Dinner Furniture Painting (Rob's Wallpaper & Dachshund) 2013 acrylic on ply, ceramic Dachshund http://www.lisaradford.net/dear-masato-all-at-once daily 0.75 2015-09-23 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265025804-00PHU2TYVBZPXGI2H7ZK/IMG_9902.jpg 2014 Dear Masato, all at once Dear Masato, all at once. VCA Margaret Lawrence Gallery, March 2014. Blair Trethowan, Geoff Newton, Art Workers Coalition, Jon Campbell, Howard Arkley, Amanda Marburg, Linda Marrinon, Ry Haskings, Andree Korpys and Markus Löffler, Sharon Goodwin, Ronnie van Hout, Sam George, Francis Alÿs, Michelle Ussher, Jenny Watson, Matthew Greaves, Matthias Wermke & Mischa Leinkauf, Colleen Ahern, Tony Garifalakis, Lane Cormick, Guy Benfield, Liang Luscombe, Juan Davila, Nicholas Mangan, Guillermo Faivovich and Nicolás Goldberg, James Lynch, Mathew Jones, Nikos Pantazopoulos, John Meade, DAMP, Ron Robertson-Swann, Kati Rule, Matthew Griffin, A Constructed World. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265025804-00PHU2TYVBZPXGI2H7ZK/IMG_9902.jpg 2014 Dear Masato, all at once Dear Masato, all at once. VCA Margaret Lawrence Gallery, March 2014. Blair Trethowan, Geoff Newton, Art Workers Coalition, Jon Campbell, Howard Arkley, Amanda Marburg, Linda Marrinon, Ry Haskings, Andree Korpys and Markus Löffler, Sharon Goodwin, Ronnie van Hout, Sam George, Francis Alÿs, Michelle Ussher, Jenny Watson, Matthew Greaves, Matthias Wermke & Mischa Leinkauf, Colleen Ahern, Tony Garifalakis, Lane Cormick, Guy Benfield, Liang Luscombe, Juan Davila, Nicholas Mangan, Guillermo Faivovich and Nicolás Goldberg, James Lynch, Mathew Jones, Nikos Pantazopoulos, John Meade, DAMP, Ron Robertson-Swann, Kati Rule, Matthew Griffin, A Constructed World. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406264958138-BLBNZJXR8P5HD3GWGR7I/IMG_9899.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265076228-EO0C7SV7TOB7NLNVXUP9/IMG_9903.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265163255-9JA0AJ6ZIFPFEZMU9ZAN/IMG_9915.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265135946-NPZ7WFGVHBMRLKPDIW9S/IMG_9905.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265227349-9XYD5A5LMBSNKU3K47KC/IMG_9916.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265258963-YDY8K7T8444MNWQY80VM/IMG_9924.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265322670-M8U3C7Q7UHOLPYPVJUI5/IMG_9929.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265346691-AWYYFUSBJ3CCD2AG7VX3/IMG_9931.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265439180-GY2K0IWEJGQB2ONMQWNN/IMG_9932.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265441019-YCJYPEEUT3LXC0ZXFD7J/IMG_9935.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265577802-HBBB5476F4SZMPTL7649/IMG_9936.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265598412-J0P97VVGDNVLOQ7VMW7R/IMG_9940.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265725030-JJZTWGWEG0RHL8BP6CHK/IMG_9943.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265725929-9X0PXPT9Z62DJDJORB1K/IMG_9947.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265853304-IX3228XR3GDYFE47X2XR/IMG_9949.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265856568-U6UQ90PSWL46RCBTYZM1/IMG_9952.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265948807-QW1XVZO21BUPOPVA9KC2/IMG_9953.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406265942288-4H06SJILBHR9W5REWRVU/IMG_9957.jpg 2014 Dear Masato, all at once https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406266508149-Q4AMLXLG2MMNUHFS5USK/Dear_Masato%28AM_ETANTE%29.jpg 2014 Dear Masato, all at once http://www.lisaradford.net/2014-dont-kurt-cobain daily 0.75 2015-09-23 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442983198642-O9TNR992IGANENJH2A4Y/note+to+self.jpg 2014 Don't Kurt Cobain Matthew Griffin, Note to Self , 2008, screen print, Collection Joyce Nissan 2014 marked 20 years since the death of Kurt Cobain. For some reason a lot of artists in Melbourne have made work about Nirvana. Some of these works were gathered alongside reproductions of sourced fan art and portraits in a bootleg-catalogue. Don't Kurt Cobain coincided with the end of Slopes - the 12-month curatorial project space run by Brooke Babbington. COLLEEN AHERN SUE DODD GREATEST HITS MATTHEW GRIFFIN DAN PRICE KATI RULE MASATO TAKASAKA BLAIR TRETHOWAN LYNDAL WALKER SIMON ZORIC TEXT BY A CONSTRUCTED WORLD CURATED BY LISA RADFORD & ROSEMARY FORDE OPENING WEDNESDAY 5 NOVEMBER 6 – 8PM EXHIBITION 5 – 29 NOVEMBER 2014 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442983198642-O9TNR992IGANENJH2A4Y/note+to+self.jpg 2014 Don't Kurt Cobain Matthew Griffin, Note to Self , 2008, screen print, Collection Joyce Nissan 2014 marked 20 years since the death of Kurt Cobain. For some reason a lot of artists in Melbourne have made work about Nirvana. Some of these works were gathered alongside reproductions of sourced fan art and portraits in a bootleg-catalogue. Don't Kurt Cobain coincided with the end of Slopes - the 12-month curatorial project space run by Brooke Babbington. COLLEEN AHERN SUE DODD GREATEST HITS MATTHEW GRIFFIN DAN PRICE KATI RULE MASATO TAKASAKA BLAIR TRETHOWAN LYNDAL WALKER SIMON ZORIC TEXT BY A CONSTRUCTED WORLD CURATED BY LISA RADFORD & ROSEMARY FORDE OPENING WEDNESDAY 5 NOVEMBER 6 – 8PM EXHIBITION 5 – 29 NOVEMBER 2014 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442982403856-ESSIYAPGZSVQ0BQ65LNH/Dont+Kurt+Conbain_24.jpg 2014 Don't Kurt Cobain Daniel Price, Untitled (3/1/94), 2009 , graphite on paper Blair Trethowan, Title unknown, c 2001, marker on canvas Matthew Griffin, Note to Self , 2008, screenprint https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442983316285-8ZUAZ657OQ99Y9C9MVMT/Dont+Kurt+Conbain_85.jpg 2014 Don't Kurt Cobain Daniel Price, Untitled (3/1/94), 2009, graphite on paper https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442982633603-XHXYHLXLTTPW95EEQVMS/Dont+Kurt+Conbain_87.jpg 2014 Don't Kurt Cobain Blair Trethowan, Title unknown, c 2001, marker on canvas https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442976204068-WV42Q2PY9BNGY10Y5EAX/Dont+Kurt+Conbain_50.jpg 2014 Don't Kurt Cobain Masato Takasaka, Untitled -Double Self Portrait: Yes you kant after Duchamp!...1.(origin reversed/ after GC and MD)-2.physical graffiti (recycled), 2010, digital archival laserjet print on crystal fuji paper Colleen Ahern, Teen Spirit, 2014, (From Of Skins and Heart series, 2010), oil on paper Lyndal Walker, Come As You Are, 1993, mixed media Simon Zoric, Nirvana, 2013, poster, blu-tack, bedroom wall   https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442976212317-ZIQ2UYE1WT0YH6FO6QO5/Dont+Kurt+Conbain_65.jpg 2014 Don't Kurt Cobain Masato Takasaka, Untitled -Double Self Portrait: Yes you kant after Duchamp!...1.(origin reversed/ after GC and MD)-2.physical graffiti (recycled), 2010, digital archival laserjet print on crystal fuji paper Colleen Ahern, Teen Spirit, 2014 (From Of Skins and Heart series, 2010), oil on paper   https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442976229500-LSYQAW5Z550Q87TS4MJ2/Dont+Kurt+Conbain_78.jpg 2014 Don't Kurt Cobain Sue Dodd, Kurt Alone (from 12 Most Wanted), 2012, single channel video with stereo sound, Courtesy Anna Pappas Gallery Blair Trethowan, Title unknown, c 2001, marker on canvas   https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442982608744-4WXCTWEFOJ9KDZ63F8G8/Dont+Kurt+Conbain_90.jpg 2014 Don't Kurt Cobain Blair Trethowan, Title unknown, c 2001, marker on canvas https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442982360750-ZSP7SSDZC6DPMRNOM3LR/Dont+Kurt+Conbain_2.jpg 2014 Don't Kurt Cobain Kati Rule, Untitled, 2004, pencil on paper Masato Takasaka, Untitled -Double Self Portrait: Yes you kant after Duchamp!...1.(origin reversed/ after GC and MD)-2.physical graffiti (recycled), 2010, digital archival laserjet print on crystal fuji paper Colleen Ahern, Teen Spirit, 2014 (From Of Skins and Heart series, 2010), oil on paper Lyndal Walker, Come As You Are, 1993, mixed media Simon Zoric, Nirvana, 2013, poster, blu-tack, bedroom wall https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442982347553-3PGTZK946ZIP7UAE75OB/Dont+Kurt+Conbain_10.jpg 2014 Don't Kurt Cobain Colleen Ahern Teen Spirit, 2014 (From Of Skins and Heart series, 2010) oil on paper Courtesy Neon Parc   Lyndal Walker Come As You Are, 1993 mixed media   Simon Zoric Nirvana, 2013 poster, blu-tack, bedroom wall   Sue Dodd Kurt Alone (from 12 Most Wanted), 2012 single channel video with stereo sound Courtesy Anna Pappas Gallery   Blair Trethowan Title unknown, c 2001 marker on canvas Collection Bianca Hester https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442982392333-EEVTXOW5A29IH4ZXSF8A/Dont+Kurt+Conbain_20.jpg 2014 Don't Kurt Cobain Matthew Griffin, Note to Self , 2008, screenprint Kati Rule, Untitled, 2004, pencil on paper Masato Takasaka, Untitled -Double Self Portrait: Yes you kant after Duchamp!...1.(origin reversed/ after GC and MD)-2.physical graffiti (recycled), 2010, digital archival laserjet print on crystal fuji paper https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442982449455-7END64XOMMPCHPDXSKRE/Dont+Kurt+Conbain_39.jpg 2014 Don't Kurt Cobain Matthew Griffin, Don’t, 2008, betamax converted to mp4 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442982448839-H5QUO92HWNIM2PV8G2F0/Dont+Kurt+Conbain_43.jpg 2014 Don't Kurt Cobain Greatest Hits, Untitled, 2012 , laser jet printed solvent transfer, kurtcobainfont.otf https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442982511673-SJM6W16EOS8NY3FPRER3/Dont+Kurt+Conbain_54.jpg 2014 Don't Kurt Cobain Bootleg Catalogue https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442982557546-01FMT5VZ6OO9O75EZN9I/Dont+Kurt+Conbain_74.jpg 2014 Don't Kurt Cobain Greatest Hits Untitled, 2012 laser jet printed solvent transfer, kurtcobainfont.otf https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442982527983-K4I4M29RQJDSD7KURYP6/Dont+Kurt+Conbain_62.jpg 2014 Don't Kurt Cobain Lyndal Walker, Come As You Are, 1993, mixed media https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442982656578-ESRIRNCR1MTMIBGZA2LT/Dont+Kurt+Conbain_92.jpg 2014 Don't Kurt Cobain https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442983464379-3K9D536RZM1O180CGP1A/Don%27t+Kurt+Cobain+A3+POSTER6.jpg 2014 Don't Kurt Cobain Text by A Constructed World https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442982658061-43Q5G2D9MTSAOO2NY1Y5/Dont+Kurt+Conbain_101.jpg 2014 Don't Kurt Cobain Simon Zoric, Nirvana, 2013, poster, blu-tack, bedroom wall http://www.lisaradford.net/2015-approx-geez-louise daily 0.75 2015-09-23 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977090148-RGMFSDYDYQ0J9GLHYD5H/_MG_5137.jpg 2015 Approx Geez Louise Sutton Project Space, 2015.   https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977090148-RGMFSDYDYQ0J9GLHYD5H/_MG_5137.jpg 2015 Approx Geez Louise Sutton Project Space, 2015.   https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977075578-2ZDIHMPN48SW7PO443R9/_MG_5144.jpg 2015 Approx Geez Louise https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977095278-NCF9KS21DEFPIQAHP69M/_MG_5157.jpg 2015 Approx Geez Louise https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977107769-9RREMJ7CM8GZLTVLE9MM/_MG_5160.jpg 2015 Approx Geez Louise https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977112640-IKL96BKTRR56KP6V5GG6/_MG_5166.jpg 2015 Approx Geez Louise https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977123995-BTY4WXCJL3NAEO847K4G/_MG_5171.jpg 2015 Approx Geez Louise https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977136811-ZRU3MZY0UTNOE3MW7UDH/_MG_5176.jpg 2015 Approx Geez Louise https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977140516-B93Q2TBWHD1T7HHRF2VR/_MG_5181.jpg 2015 Approx Geez Louise https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977151809-8Y4GS5LRL9JXJNS1WVJ6/_MG_5190.jpg 2015 Approx Geez Louise https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977159153-7PVLUXKJMQXSC65I2TLZ/_MG_5195.jpg 2015 Approx Geez Louise https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977285602-BBADNHHRP7ERJW5XKF49/Approx.+Geez+Louise_Page_2.jpg 2015 Approx Geez Louise Catalogue with texts by FP, GC and Ian Morgan https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977293487-7JQGQDKU02MWQHC3IZFY/Approx.+Geez+Louise_Page_1.jpg 2015 Approx Geez Louise http://www.lisaradford.net/furniture-paintings-blankets-bureaucracy-2014 daily 0.75 2014-08-19 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406266427325-DWX170VWISLRLTX7DCIG/Furniture_Painting%28txt%29.jpg 2014 Furniture Paintings (Blankets & Bureaucracy) Furniture Painting (txt) 2014 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406266427325-DWX170VWISLRLTX7DCIG/Furniture_Painting%28txt%29.jpg 2014 Furniture Paintings (Blankets & Bureaucracy) Furniture Painting (txt) 2014 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406266455016-8VC043XGUZTPIRN8J0Y3/Furniture_Painting%28Blankets%26Bureacracy%294.jpg 2014 Furniture Paintings (Blankets & Bureaucracy) Furniture Painting(Blanket) 2014 Furniture Painting(Other Joy) 2014 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406264747737-YA7GSFHG6EN3XZMQSUHN/IMG_9882.jpg 2014 Furniture Paintings (Blankets & Bureaucracy) Furniture Painting (Blankets & Bureaucracy) 2014 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406264828629-R5ANN0BUHCC0H6NVHVAI/IMG_9885.jpg 2014 Furniture Paintings (Blankets & Bureaucracy) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406264914705-OMHNY7US7KUCOZ2EHZ5L/IMG_9894.jpg 2014 Furniture Paintings (Blankets & Bureaucracy) Furniture Painting (Blankets & Bureaucracy) 2014 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406270744056-JPFJ4VWLUSS9I7REQI8K/Furniture_Painting%28Blankets%26Bureacracy%293.jpg 2014 Furniture Paintings (Blankets & Bureaucracy) Furniture Painting (Blankets & Bureaucracy) 2014 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406270811085-ORGW00NJ1GG7K4GR1I5A/Kati_Lucina_Lisa_Unwise.jpg 2014 Furniture Paintings (Blankets & Bureaucracy) Furniture Painting (Blankets & Bureaucracy) 2014 detail with Lucina Lane painting, Sam Petersen Necklace and a painting by Charles Radford https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406283082969-JTJB5U0S5GQVONZRVQFR/Furniture+Painting+Blankett+Tissue.png 2014 Furniture Paintings (Blankets & Bureaucracy) Furniture Painting (Blanket Tissue) 2014 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406283082870-ZOB0Y6XWBKXXRBOLAWQ9/Furniture_Painting_Tissue_Text.jpg 2014 Furniture Paintings (Blankets & Bureaucracy) Furniture Painting (Tissue Text) 2014 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1406283088738-BM986C11M9ONSEUW85R4/Furniture_Paintings_Text.jpg 2014 Furniture Paintings (Blankets & Bureaucracy) Furniture Painting (Tile) (txt) (txt) 2014 http://www.lisaradford.net/new-gallery daily 0.75 2015-09-23 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442972617021-85UY0ZPLUDA8O2MBQGQU/living+museum+of+the+west-100.jpeg 2014 It has to be more than just two foxes... with Kim Munro and Sam George, It has to be more than just two foxes and a hen deciding what to have for lunch, 2014, video 4:15 and 5:12, extension cords, chairs, manila folders and transcripts Work made in response to research and interviews conducted at the Living Museum of the West during July and August, 2014. The Museum is the Region, the Region is the Museum, curated by Danny Lacy, Liang Luscombe and Patrice Sharkey. was envisaged as a way to re-establish West Space’s connection with the western suburbs of Melbourne, where West Space was founded in 1993. Artists included in the exhibition: Avni Dauti, Lisa Radford and Kim Munro and Sam George, Susan Jacobs, Kerrie Poliness, Geoff Robinson and UK-based artists Mikhail Karikis & Uriel Orlow. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442972617021-85UY0ZPLUDA8O2MBQGQU/living+museum+of+the+west-100.jpeg 2014 It has to be more than just two foxes... with Kim Munro and Sam George, It has to be more than just two foxes and a hen deciding what to have for lunch, 2014, video 4:15 and 5:12, extension cords, chairs, manila folders and transcripts Work made in response to research and interviews conducted at the Living Museum of the West during July and August, 2014. The Museum is the Region, the Region is the Museum, curated by Danny Lacy, Liang Luscombe and Patrice Sharkey. was envisaged as a way to re-establish West Space’s connection with the western suburbs of Melbourne, where West Space was founded in 1993. Artists included in the exhibition: Avni Dauti, Lisa Radford and Kim Munro and Sam George, Susan Jacobs, Kerrie Poliness, Geoff Robinson and UK-based artists Mikhail Karikis & Uriel Orlow. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442974382952-P8C9UIO9EGYGDAGT0V2M/living+museum+of+the+west-100.jpeg 2014 It has to be more than just two foxes... It has to be more than just two foxes and a hen deciding what to have for lunch, 2014, video 4:15 and 5:12, extension cords, chairs, manila folders and transcripts https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442973390747-T8ICUQDKE3215KZ52MAJ/Presenataton_mid_canditature.035.jpg 2014 It has to be more than just two foxes... It has to be more than just two foxes and a hen deciding what to have for lunch, 2014, video 4:15 and 5:12, extension cords, chairs, manila folders and transcripts (still) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442973414326-HJBDUL25752OGT83LVFB/Presenataton_mid_canditature.028.jpg 2014 It has to be more than just two foxes... It has to be more than just two foxes and a hen deciding what to have for lunch, 2014, video 4:15 and 5:12, extension cords, chairs, manila folders and transcripts (still) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442973415744-M497XVZ64GLGPHRASGF7/Presenataton_mid_canditature.029.jpg 2014 It has to be more than just two foxes... https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442974557638-JBSJVB145ACMMP7DL1BM/Presenataton_mid_canditature.030.jpg 2014 It has to be more than just two foxes... https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442973423167-BDG72IHO8C9GUKNXH8GV/Presenataton_mid_canditature.031.jpg 2014 It has to be more than just two foxes... https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442973430328-CSBKHMGYN9K5D3VLFKZJ/Presenataton_mid_canditature.034.jpg 2014 It has to be more than just two foxes... https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442973430943-AAE8WDLZJSYZHPSTZI3L/Presenataton_mid_canditature.031.jpg 2014 It has to be more than just two foxes... https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442973453729-55QEU5HSB49DHXBKOGVX/Presenataton_mid_canditature.036.jpg 2014 It has to be more than just two foxes... https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442974543046-VWJGZ5BJYX3FPULB0D24/Script_Page_1.jpg 2014 It has to be more than just two foxes... It has to be more than just two foxes and a hen deciding what to have for lunch, 2014, video 4:15 and 5:12, extension cords, chairs, manila folders and transcripts (transcript) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442974545266-0N5KLGFKBNFUO77EIW0K/Script_Page_2.jpg 2014 It has to be more than just two foxes... https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442974697766-92ZQJZLQLP66VGVNXYB3/Script_Page_3.jpg 2014 It has to be more than just two foxes... https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442974698987-FJEMSUUOZ5Q0GF4V49RY/Script_Page_4.jpg 2014 It has to be more than just two foxes... http://www.lisaradford.net/new-gallery-1 daily 0.75 2015-09-23 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442974978299-SRPPGAJ40UWWMWS4JZPX/Big+East+2014-10.jpeg 2014 Furniture Paintings (Bricks & Beheadings) with Simon McGlinn, Furniture Paintings (Bricks & Beheadings), acrylic on board, sponges, $2 shop cloths, text by Simon on pinboards, Girl Guides Hall, Ringwood. Installation view from The Big East (Bigger), 2014, curated by Kiron Robinson https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442974978299-SRPPGAJ40UWWMWS4JZPX/Big+East+2014-10.jpeg 2014 Furniture Paintings (Bricks & Beheadings) with Simon McGlinn, Furniture Paintings (Bricks & Beheadings), acrylic on board, sponges, $2 shop cloths, text by Simon on pinboards, Girl Guides Hall, Ringwood. Installation view from The Big East (Bigger), 2014, curated by Kiron Robinson https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442974983915-JOBZ67QBPMT5K07A12CJ/IMG_3628.jpeg 2014 Furniture Paintings (Bricks & Beheadings) with Simon McGlinn, Furniture Paintings (Bricks & Beheadings), acrylic on board, sponges, $2 shop cloths, text by Simon on pinboards, Girl Guides Hall, Ringwood. Installation view from The Big East (Bigger), 2014, curated by Kiron Robinson https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442975141224-U4QS0J6D9NTTKT2H085O/InsertHeadingHere_Final.jpg 2014 Furniture Paintings (Bricks & Beheadings) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1443017985011-W3FSIWFFBLCGWU5DWGWG/Presenataton_mid_canditature.050.jpg 2014 Furniture Paintings (Bricks & Beheadings) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1443017985604-6UM5VL1JTNKSIE1GFMK9/Presenataton_mid_canditature.051.jpg 2014 Furniture Paintings (Bricks & Beheadings) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1443017995132-AO6A0UUU17HIN54ANXY5/Presenataton_mid_canditature.052.jpg 2014 Furniture Paintings (Bricks & Beheadings) http://www.lisaradford.net/gordo daily 0.75 2015-09-23 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442976792239-8SHVV3QZADZW46DSFGRP/IMG_9546Notes+to+GB+2014.JPG 2014 Notes to GB https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442976792239-8SHVV3QZADZW46DSFGRP/IMG_9546Notes+to+GB+2014.JPG 2014 Notes to GB https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442976822076-PMF3N2889XZ8I1TV2HWD/IMG_9547Notes+to+GB+2014.JPG 2014 Notes to GB Furniture Painting (Daidirri) 2014 acrylic on ply, frame, fabric (detail) (with Hugh Westland, Sophie Cassar, Daniel Boyd, Brighid Fitzgerald and Nien Schwartz) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442976800440-IHLR42GF0PIAREL4BSQY/6+IMG_9607Notes+to+GB+2014+edit.jpg 2014 Notes to GB - Notes to GB (installation) from left to right: Hamishi Farah, Gordon Bennett, Lisa Radford with Hugh Westland, Gordon Bennett. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442975769092-GRRZZCOFHPXDYW5MP4MQ/BWGBLRHE.jpg 2014 Notes to GB - Furniture Painting (Daidirri) 2014 acrylic on ply, frame, fabric (text panel example) (with Hugh Westland, Sophie Cassar, Daniel Boyd, Brighid Fitzgerald and Nien Schwartz) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442975780999-EDNX2JPW5W0U2Y8G97LX/BWGBLRHE_2.jpg 2014 Notes to GB - Furniture Painting (Dadirri) 2014 acrylic on ply, frame, fabric (text panel example) (with Hugh Westland, Sophie Cassar, Daniel Boyd, Brighid Fitzgerald and Nien Schwartz) http://www.lisaradford.net/2015-a-gift-to-the-mua daily 0.75 2019-06-03 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977487925-TGJACPZEL7EM5PIGBVIH/MUA_2.jpg 2015 A gift to the MUA Furniture Painting (Danielle's MUA), paint, wood.   https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977487925-TGJACPZEL7EM5PIGBVIH/MUA_2.jpg 2015 A gift to the MUA Furniture Painting (Danielle's MUA), paint, wood.   https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977507957-88AN66PSHWY9I8K8IUEM/MUA.jpg 2015 A gift to the MUA Furniture Painting (Danielle's MUA), frame, pastic, glass.(with Danielle O'Brien). http://www.lisaradford.net/2015-footnotes daily 0.75 2019-06-04 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977563523-2R7ME978KTTYXCIZL5FT/foot-notes-artist-talk-edited-1600px-01.jpg 2015 Footnotes FOOT-NOTES Примечания 3rd Ural Industrial Biennial, Yekatarinburg, Russia September 9 – November 10 2015 Performative Publication Speculative Guidebook + Parallel Catalogue instagram/3plyfootnotes3ub soundcloud/3plyfootnotes Stripping the meaning of “publication” to its etymological roots of “issuing forth” or “the act of making public”, 3-ply has framed the Biennial bookstore as a site for performative publication and discursive agency. Conversational exchange amongst mobilized visitors and observers (framed as simultaneously readers and authors) mutates into a series of performances and texts that accumulate to offer alternatives to the conventional Biennial publications, in the form of a speculative guidebook and parallel catalogue. The Biennial bookstore is presented by 3-ply with Yekatarinburg bookshop Йозеф Кнехт. In exhibition settings, 3-ply operates as a shifting collaborative. For the 3rd Ural Industrial Biennial, 3-ply included contributions from Lisa Radford, Liang Luscombe and Fayen d’Evie. Foot-notes is an experiment in cumulative, performative publication, with solo and collaborative contributions from Lisa Radford, Liang Luscombe and Fayen d’Evie, together with: Grigory Prokhur, Evgeniy Beloborodko, Sergey Rozhin/100RC, Masha Kontorovich, Anastasia Kochi, Elizaveta Esveyn, Maria Neykovskaya, Maria Stremyakova, Victoria Gontarenko, Alexey Filatov, Oleg Kolpashchikov, Kseniya Vasilieva, Elena Tishler, Elena Treugolka, Alexander Efimov/Nienvox, Dmitry Svetliy, Anastasia Nefedova, Anastasia Krohaleva, Maria Sklyarova, Dan Miller, Nicholas Selenitsch, Connal Parsley, Sophie Cassar, Elisha Zhang, Brigid Fitzgerald, and others. Performative Script https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977563523-2R7ME978KTTYXCIZL5FT/foot-notes-artist-talk-edited-1600px-01.jpg 2015 Footnotes FOOT-NOTES Примечания 3rd Ural Industrial Biennial, Yekatarinburg, Russia September 9 – November 10 2015 Performative Publication Speculative Guidebook + Parallel Catalogue instagram/3plyfootnotes3ub soundcloud/3plyfootnotes Stripping the meaning of “publication” to its etymological roots of “issuing forth” or “the act of making public”, 3-ply has framed the Biennial bookstore as a site for performative publication and discursive agency. Conversational exchange amongst mobilized visitors and observers (framed as simultaneously readers and authors) mutates into a series of performances and texts that accumulate to offer alternatives to the conventional Biennial publications, in the form of a speculative guidebook and parallel catalogue. The Biennial bookstore is presented by 3-ply with Yekatarinburg bookshop Йозеф Кнехт. In exhibition settings, 3-ply operates as a shifting collaborative. For the 3rd Ural Industrial Biennial, 3-ply included contributions from Lisa Radford, Liang Luscombe and Fayen d’Evie. Foot-notes is an experiment in cumulative, performative publication, with solo and collaborative contributions from Lisa Radford, Liang Luscombe and Fayen d’Evie, together with: Grigory Prokhur, Evgeniy Beloborodko, Sergey Rozhin/100RC, Masha Kontorovich, Anastasia Kochi, Elizaveta Esveyn, Maria Neykovskaya, Maria Stremyakova, Victoria Gontarenko, Alexey Filatov, Oleg Kolpashchikov, Kseniya Vasilieva, Elena Tishler, Elena Treugolka, Alexander Efimov/Nienvox, Dmitry Svetliy, Anastasia Nefedova, Anastasia Krohaleva, Maria Sklyarova, Dan Miller, Nicholas Selenitsch, Connal Parsley, Sophie Cassar, Elisha Zhang, Brigid Fitzgerald, and others. Performative Script https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977560111-ZCH3WSOCBFTRBCGRH6R9/foot-notes-artist-talk-edited-1600px-02.jpg 2015 Footnotes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977577643-RQW1CHZD9QOMJIGUEZQQ/foot-notes-artist-talk-edited-1600px-03.jpg 2015 Footnotes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977580786-II8ZMW0MSIVY13OA7Z39/foot-notes-artist-talk-edited-1600px-04.jpg 2015 Footnotes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977602708-JGTIOY152PCMZFSSP69P/foot-notes-artist-talk-edited-1600px-05.jpg 2015 Footnotes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977600937-D1RIQ0VTWJBA5YIB8RAO/foot-notes-artist-talk-edited-1600px-06.jpg 2015 Footnotes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977616231-9G3Z8AC60G6K984AI9K3/foot-notes-artist-talk-edited-1600px-07.jpg 2015 Footnotes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977614888-5GVBP72CFAVMCS5TOWNP/foot-notes-artist-talk-edited-1600px-08.jpg 2015 Footnotes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977631509-KTO2X45ZS9078NH2TWUM/foot-notes-artist-talk-edited-1600px-09.jpg 2015 Footnotes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977632118-MSI0TGFEEX3322YHJBYX/foot-notes-artist-talk-edited-1600px-10.jpg 2015 Footnotes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977652390-LB0AOJKNAURGSOSFAOXO/foot-notes-artist-talk-edited-1600px-11.jpg 2015 Footnotes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977646411-2IUWKDVDUVMTKZP57BSP/foot-notes-artist-talk-edited-1600px-12.jpg 2015 Footnotes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977659238-M50B0V2KOP0C0UWYZE4E/foot-notes-artist-talk-edited-1600px-13.jpg 2015 Footnotes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977671897-K59AX5PQ57INA2SM2KQG/foot-notes-artist-talk-edited-1600px-14.jpg 2015 Footnotes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1442977676355-5N2SHDSGM4J5E3D6K6FZ/foot-notes-artist-talk-edited-1600px-15.jpg 2015 Footnotes http://www.lisaradford.net/2016-dear-masato-all-at-once-get-a-life-the-only-thing-that-cuts-across-the-species-is-death daily 0.75 2020-10-27 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094453201-XQZJGK6WSZ4CFRYN3FHL/161101_TNOBLE_DearMasato_preview_5552.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) Dear Masato, all at once (get a life, the only thing that cuts across the species is death) — a play and exhibition in collaboration with Northern Theatre Company. West Space, 4 Nov - 10 Dec, 2016 Some advice, or information (but not rules): NOT A PLAY This is not a play. It is a piece of writing. However this piece of writing might resemble a play. The writing was not written, it was spoken. It is the record of an exchange between groups. ACTS The writing is made from six Acts. These Acts could also be called vignettes or non-sequiturs. The performance of the Acts requires 8-10 Actors. There is a Chorus, which is additional. LOGIC & STRUCTURE West Space is the stage. The stage must form a loop. This loop is a structure with its own logic. DURATION The play will be performed at West Space over three days. There will be a beginning, middle and an end, but in no particular order. Presented across the entire gallery, this project is part of West Space’s annual commission series, which invests in a local artist to create a new body of work. Dear Masato is the second iteration of the series, following Dead Still Standing by Lou Hubbard in 2015. Directors Teresa Noble, Evangelos Arabatzis Actors Genevieve Neve, Nicola De Rosbo-Davies, Kelly Nielsen, Suzanne Brimley, Rebecca Grinblat, Sam Browne, Sally Guildford, Shrut Parmar, Bikramjeet Singh, Will Sutherland Voice Rebecca Harris Some other writing - A+a, Dear Lisa / Olivia Koh Yes, Lets https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094453201-XQZJGK6WSZ4CFRYN3FHL/161101_TNOBLE_DearMasato_preview_5552.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) Dear Masato, all at once (get a life, the only thing that cuts across the species is death) — a play and exhibition in collaboration with Northern Theatre Company. West Space, 4 Nov - 10 Dec, 2016 Some advice, or information (but not rules): NOT A PLAY This is not a play. It is a piece of writing. However this piece of writing might resemble a play. The writing was not written, it was spoken. It is the record of an exchange between groups. ACTS The writing is made from six Acts. These Acts could also be called vignettes or non-sequiturs. The performance of the Acts requires 8-10 Actors. There is a Chorus, which is additional. LOGIC & STRUCTURE West Space is the stage. The stage must form a loop. This loop is a structure with its own logic. DURATION The play will be performed at West Space over three days. There will be a beginning, middle and an end, but in no particular order. Presented across the entire gallery, this project is part of West Space’s annual commission series, which invests in a local artist to create a new body of work. Dear Masato is the second iteration of the series, following Dead Still Standing by Lou Hubbard in 2015. Directors Teresa Noble, Evangelos Arabatzis Actors Genevieve Neve, Nicola De Rosbo-Davies, Kelly Nielsen, Suzanne Brimley, Rebecca Grinblat, Sam Browne, Sally Guildford, Shrut Parmar, Bikramjeet Singh, Will Sutherland Voice Rebecca Harris Some other writing - A+a, Dear Lisa / Olivia Koh Yes, Lets https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094230163-S43ACLEQBQP02GS1IRRZ/161101_TNOBLE_DearMasato_preview_5262.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) Photo: Teresa Noble https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094259070-6ZFOKNNJ3M86QUZ6FL2E/161101_TNOBLE_DearMasato_preview_5273.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) Photo: Teresa Noble   https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094246272-9MGFQXTQELWJOQ4AU0LO/161101_TNOBLE_DearMasato_preview_5275.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) Photo: Teresa Noble https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094264067-GYGLT54S451KXD42NJSP/161101_TNOBLE_DearMasato_preview_5279.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) Photo: Teresa Noble https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094287027-GSAHLOF3UC304EPJ5PP4/161101_TNOBLE_DearMasato_preview_5287.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094296214-VOO0JO4BS3T4Y1EXSBLM/161101_TNOBLE_DearMasato_preview_5349.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) Photo: Teresa Noble https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094335239-JKDNK894JJ3PC5K9C2N3/161101_TNOBLE_DearMasato_preview_5354.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) Photo: Teresa Noble https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094319532-7B4EJKSRRAPSG5UE5OX7/161101_TNOBLE_DearMasato_preview_5357.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094349502-WRJJ5UH2MLF1JTL14K3Y/161101_TNOBLE_DearMasato_preview_5362.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094366812-7V0FHZK7JXNJGPA3NQAD/161101_TNOBLE_DearMasato_preview_5379.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094366740-T86M5S49Q44LVZ50HOVC/161101_TNOBLE_DearMasato_preview_5460.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094383797-LOOL8OK5S7894W150HAH/161101_TNOBLE_DearMasato_preview_5463.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094400457-C3ODGDG8XPZKWDVQS6IW/161101_TNOBLE_DearMasato_preview_5501.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094413910-KUQEFRATN328D6M82CAN/161101_TNOBLE_DearMasato_preview_5504.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094444719-6MOAVIXWU2K8D0X8OELP/161101_TNOBLE_DearMasato_preview_5531.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490094438884-GTZQC74VY3L58GSDLZLL/161101_TNOBLE_DearMasato_preview_5544.jpg 2016 Dear Masato, all at once (get a life, the only thing that cuts across the species is death) http://www.lisaradford.net/2016-support-materials-soft-furnishings daily 0.75 2019-06-03 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095146292-B309VLU60XU294759T8C/DSC_8139.jpg 2016 Support Materials, Soft Furnishings - Support Materials, Soft Furnishings RMIT Project Space. 2016 Elizabeth Newman, Angela Brennan, Alek O., Koji Ryui, Katherine Hattam, Natasha Madden, Howard Arkley, Pat Forster & Jen Berean, Spiros Panigirakis, Tony Schwensen, Kati Rule, Sanja Pahoki, Kate Daw, Liang Luscombe & Lisa Radford. Support materials, soft furnishings evolved through conversation stemming from an interest in artists whose work can be located in a space between art and furniture and/ or art and dwelling. Instead of picturing the domestic or describing the use value of art/design objects, Support material, soft furnishings attempted to collect, arrange and re-arrange a selection of works that create a tension between surface and function be that the inane, socio-political, psychological or experiential. Support material, soft furnishing uses Kati Rule’s project Site Unseen (which is permanently located in her parent’s home and inaccessible to the public) and an accompanying text by Kate Daw as a way of contextualising the exhibition and its focus around arrangement. Support material, soft furnishing uses the RMIT Project Space–which finds its form architecturally akin to that of a shop front or display warehouse–as a way of framing and re-arranging the selected artworks. During the six weeks of the exhibition, Liang Luscombe and Lisa Radford will alter and re-organise the works in the exhibition to create four iterations of the project as a way of examining each work and their relation to other works through their individual and temporal arrangement. Iteration 1 Friday 12 February to Friday 26 February Iteration 2 Friday 26 February to Monday 7 March Iteration 3 Monday 7 March to Tuesday 15 March Iteration 4 Tuesday 15 March to Thursday 24 March Site Unseen; The Enigmatic Work of Kati Rule, text by Kate Daw. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095146292-B309VLU60XU294759T8C/DSC_8139.jpg 2016 Support Materials, Soft Furnishings - Support Materials, Soft Furnishings RMIT Project Space. 2016 Elizabeth Newman, Angela Brennan, Alek O., Koji Ryui, Katherine Hattam, Natasha Madden, Howard Arkley, Pat Forster & Jen Berean, Spiros Panigirakis, Tony Schwensen, Kati Rule, Sanja Pahoki, Kate Daw, Liang Luscombe & Lisa Radford. Support materials, soft furnishings evolved through conversation stemming from an interest in artists whose work can be located in a space between art and furniture and/ or art and dwelling. Instead of picturing the domestic or describing the use value of art/design objects, Support material, soft furnishings attempted to collect, arrange and re-arrange a selection of works that create a tension between surface and function be that the inane, socio-political, psychological or experiential. Support material, soft furnishing uses Kati Rule’s project Site Unseen (which is permanently located in her parent’s home and inaccessible to the public) and an accompanying text by Kate Daw as a way of contextualising the exhibition and its focus around arrangement. Support material, soft furnishing uses the RMIT Project Space–which finds its form architecturally akin to that of a shop front or display warehouse–as a way of framing and re-arranging the selected artworks. During the six weeks of the exhibition, Liang Luscombe and Lisa Radford will alter and re-organise the works in the exhibition to create four iterations of the project as a way of examining each work and their relation to other works through their individual and temporal arrangement. Iteration 1 Friday 12 February to Friday 26 February Iteration 2 Friday 26 February to Monday 7 March Iteration 3 Monday 7 March to Tuesday 15 March Iteration 4 Tuesday 15 March to Thursday 24 March Site Unseen; The Enigmatic Work of Kati Rule, text by Kate Daw. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095490774-YDXN54SBSQKPFXH43TF1/DSC_8164.jpg 2016 Support Materials, Soft Furnishings Tony Schwensen, Elegy to the Australian Republic ( Motherwell avoids relegation), 2003, concrete, pvc, buckets, lights. Courtesy the artist and Sarah Cottier Gallery. Natasha Madden, Be My Love (Macbook Duet), 2014, Digital Film on USB, TV, Nanna's Fabric. Courtesy the artist. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095184640-7IP4WGRJ4FK9V6UIY12W/DSC_8144.jpg 2016 Support Materials, Soft Furnishings https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490096339868-2YMI77LGSNFA05AXE9UP/DSC_8203.jpg 2016 Support Materials, Soft Furnishings Support materials, soft furnishings, 2016. RMIT Project Space https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095298787-WUFOK5SKQIH7K6SH97JM/DSC_8151.jpg 2016 Support Materials, Soft Furnishings Katherine Hattam, Specific Object (Green, Yellow, Red), wood. Courtesy the artist and Daine Singer. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095369339-VJKVOK40N55969D5VI8B/DSC_8153.jpg 2016 Support Materials, Soft Furnishings Elizabeth Newman, Soft Furnishings (various), 2008-2009, Fabric, cushions, tree trunks, vinyl cushion. Courtesy the artist and Neon Park. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095220862-CTGR4WCSBQVK4VGAJX8J/DSC_8146.jpg 2016 Support Materials, Soft Furnishings Koji Ryui, Bell, 2014, carpet squares, found ceramic bell, stud. Courtesy the artist and Sarah Cottier Gallery. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095460363-0BJTEQEGS0URGQZXOJE1/DSC_8163.jpg 2016 Support Materials, Soft Furnishings   Alek O., Untitled (Umbrellas), 2015, Polyester Fabric from Umbrellas. Courtesy the artist and Frutta Gallery, Rome. Natasha Madden, Be My Love (Macbook Duet), 2014, Digital Film on USB, TV, Nanna's Fabric. Courtesy the artist. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095243178-58KMNEPVEAR0JTRCV9SY/DSC_8149.jpg 2016 Support Materials, Soft Furnishings Angela Brennan, Melbourne University, 1988, iron, wood, paper. Courtesy the artist and Niagara Gallery. Tony Schwensen, Elegy to the Australian Republic ( Motherwell avoids relegation), 2003, concrete, pvc, buckets, lights. Courtesy the artist and Sarah Cottier Gallery. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095085965-O0B9YQ85398IPF3337KP/DSC_8130.jpg 2016 Support Materials, Soft Furnishings - Howard Arkley https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490096350104-3UMTIC6JGBDNGA4THC55/DSC_8206.jpg 2016 Support Materials, Soft Furnishings Pat Foster & Jen Berean, Principles & Practicalities (hot/cold), 2016, Daylight fluorescent lamps, Warm White fluorescent lamps. Courtesy the artist and Evelyn Yard, London https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095303661-CFW3WXHFCE2FRK2LRJPA/DSC_8150.jpg 2016 Support Materials, Soft Furnishings Lucina Lane https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095412256-OLXUG1RCQUPJRFY7EWJ6/DSC_8158.jpg 2016 Support Materials, Soft Furnishings (front) Katherine Hattam, Specific Object (Green, Yellow, Red), wood. Courtesy the artist and Daine Singer. Natasha Madden, Be My Love (Macbook Duet), 2014, Digital Film on USB, TV, Nanna's Fabric. Courtesy the artist. Lucina Lane (background) Alek O., Untitled (Umbrellas), 2015, Polyester Fabric from Umbrellas. Courtesy the artist and Frutta Gallery, Rome. Tony Schwensen, Elegy to the Australian Republic ( Motherwell avoids relegation), 2003, concrete, pvc, buckets, lights. Courtesy the artist and Sarah Cottier Gallery.     https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095454789-R2PROW6VYV8MJVSJGJ77/DSC_8159.jpg 2016 Support Materials, Soft Furnishings (front) Katherine Hattam, Specific Object (Green, Yellow, Red), wood. Courtesy the artist and Daine Singer. Elizabeth Newman, Soft Furnishings (various), 2008-2009, Fabric, cushions, tree trunks, vinyl cushion. Courtesy the artist and Neon Park. Natasha Madden, Be My Love (Macbook Duet), 2014, Digital Film on USB, TV, Nanna's Fabric. Courtesy the artist. Lucina Lane (background) Alek O., Untitled (Umbrellas), 2015, Polyester Fabric from Umbrellas. Courtesy the artist and Frutta Gallery, Rome.     https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095425125-F7CUDA1WZ8LZL0Z5PULH/DSC_8161.jpg 2016 Support Materials, Soft Furnishings Tony Schwensen, Elegy to the Australian Republic ( Motherwell avoids relegation), 2003, concrete, pvc, buckets, lights. Courtesy the artist and Sarah Cottier Gallery. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095540815-TACYWGBTRRI1CZ28CWVA/DSC_8167.jpg 2016 Support Materials, Soft Furnishings Angela Brennan, Melbourne University, 1988, iron, wood, paper. Courtesy the artist and Niagara Gallery. (detail)   https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095549992-2MRHA52EO0P6OA6UU1YG/DSC_8168.jpg 2016 Support Materials, Soft Furnishings Angela Brennan, Melbourne University, 1988, iron, wood, paper. Courtesy the artist and Niagara Gallery. (detail) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490095588552-7JRWOFLNI46GC4ADYUBS/DSC_8169.jpg 2016 Support Materials, Soft Furnishings Elizabeth Newman, Soft Furnishings (various), 2008-2009, Fabric, cushions, tree trunks, vinyl cushion. Courtesy the artist and Neon Park. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490096137619-TQSY1H0IGPLWYBRRS2LR/DSC_8195.jpg 2016 Support Materials, Soft Furnishings Spiros Panigirakis Opening, 2016, medium density fibreboard, cardboard, digital print on paper, acrylic, steel fasteners, synthetic polymer paint. Courtesy the artist and Sarah Scout Presents. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490096181631-BVI5HDYY1B5CGJ8VFA1Y/DSC_8196.jpg 2016 Support Materials, Soft Furnishings Spiros Panigirakis Opening, 2016, medium density fibreboard, cardboard, digital print on paper, acrylic, steel fasteners, synthetic polymer paint. Courtesy the artist and Sarah Scout Presents. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490096289011-0OR6LQKAJ6FLR9VOVIP0/DSC_8197.jpg 2016 Support Materials, Soft Furnishings Spiros Panigirakis Opening, 2016, medium density fibreboard, cardboard, digital print on paper, acrylic, steel fasteners, synthetic polymer paint. Courtesy the artist and Sarah Scout Presents. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490096228786-W6WOMLHPS2W1FBSUXXO6/DSC_8198.jpg 2016 Support Materials, Soft Furnishings Spiros Panigirakis Opening, 2016, medium density fibreboard, cardboard, digital print on paper, acrylic, steel fasteners, synthetic polymer paint. Courtesy the artist and Sarah Scout Presents. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490096300079-AS9GYQ7HZCRQA9XYN3UB/DSC_8201.jpg 2016 Support Materials, Soft Furnishings Sanja Pahoki, Floorwork (Mother), 2014, HD-video, Courtesy the artist and Sarah Scout Presents. Lucina Lane Angela Brennan, Melbourne University, 1988, iron, wood, paper. Courtesy the artist and Niagara Gallery. Elizabeth Newman, Soft Furnishings (various), 2008-2009, Fabric, cushions, tree trunks, vinyl cushion. Courtesy the artist and Neon Parc. Spiros Panigirakis Opening, 2016, medium density fibreboard, cardboard, digital print on paper, acrylic, steel fasteners, synthetic polymer paint. Courtesy the artist and Sarah Scout Presents. Tony Schwensen, Elegy to the Australian Republic ( Motherwell avoids relegation), 2003, concrete, pvc, buckets, lights. Courtesy the artist and Sarah Cottier Gallery. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490096389159-FDORU9H1MGM938XT32XY/DSC_8207.jpg 2016 Support Materials, Soft Furnishings Natasha Madden, Be My Love (Macbook Duet), 2014, Digital Film on USB, TV, Nanna's Fabric. Courtesy the artist. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490096705859-BF13ZQWBHO0TS4WM4YMD/21_by-Emiy-Taylor.jpg 2016 Support Materials, Soft Furnishings https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490096701841-BH37W0V32M7FO8OJJDA7/7_by-Emiy-Taylor.jpg 2016 Support Materials, Soft Furnishings http://www.lisaradford.net/2016-endless-circulation daily 0.75 2017-03-21 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490099883554-Q35MTI74N36W4ZZPJHDP/DSC05893.jpg 2016 There’s still life with flowers and fruit (Please feel free to eat the grapes) There’s still life with flowers and fruit (Please feel free to eat the grapes), 2016 with Dale Hickey, Pear, 1976, oil on canvas, Collection TarraWarra Museum of Art; Colleen Ahern, 42.35 (Power, Corruption & Lies), 2016 oil on board, red seedless grapes from the U.S.A via Ritchies IGA in Yarra Glen replenished when finished exhibited in 4th/5th Melbourne Artist Facilitated Biennial (Christopher L G Hill, Nick Selenitsch, Lou Hubbard, Lewis Fidock, Endless Lonely Planet, Liam Osborne, Lisa Radford, Elizabeth Newman, Nicholas Tammens, Kate Meakin, George Egerton-Warburton, James Deutsher, Zac Segbedzi, Aurelia Guo, Rudi Williams, Alex Vivian, Lucina Lane, Lauren Burrow, Counterfeitnessfirst, Virginia Overell, Joshua Petherick, Laurel Doody, Tahi Moore, elp3 Vine, and more…) as part of TarraWarra Biennial Endless Circulation curated by Helen Hughes and Victoria Lynn 2016   https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490099883554-Q35MTI74N36W4ZZPJHDP/DSC05893.jpg 2016 There’s still life with flowers and fruit (Please feel free to eat the grapes) There’s still life with flowers and fruit (Please feel free to eat the grapes), 2016 with Dale Hickey, Pear, 1976, oil on canvas, Collection TarraWarra Museum of Art; Colleen Ahern, 42.35 (Power, Corruption & Lies), 2016 oil on board, red seedless grapes from the U.S.A via Ritchies IGA in Yarra Glen replenished when finished exhibited in 4th/5th Melbourne Artist Facilitated Biennial (Christopher L G Hill, Nick Selenitsch, Lou Hubbard, Lewis Fidock, Endless Lonely Planet, Liam Osborne, Lisa Radford, Elizabeth Newman, Nicholas Tammens, Kate Meakin, George Egerton-Warburton, James Deutsher, Zac Segbedzi, Aurelia Guo, Rudi Williams, Alex Vivian, Lucina Lane, Lauren Burrow, Counterfeitnessfirst, Virginia Overell, Joshua Petherick, Laurel Doody, Tahi Moore, elp3 Vine, and more…) as part of TarraWarra Biennial Endless Circulation curated by Helen Hughes and Victoria Lynn 2016   http://www.lisaradford.net/2016-furniture-paintings daily 0.75 2019-06-03 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490099199139-2ZT4ZXZ8O9VXGV0MRIM4/_AC_0365.jpg 2016 Furniture Paintings (2010/2016) The first set of furniture paintings were exhibited at Techno Park in October 2010 in the exhibition Titles Furniture Paintings with Geoff Newton following an invitation to exhibit by Kim Donaldson. This image depicts them recollected and exhibited for ACCA's Painting. More Painting exhibition during July, 2016. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490099199139-2ZT4ZXZ8O9VXGV0MRIM4/_AC_0365.jpg 2016 Furniture Paintings (2010/2016) The first set of furniture paintings were exhibited at Techno Park in October 2010 in the exhibition Titles Furniture Paintings with Geoff Newton following an invitation to exhibit by Kim Donaldson. This image depicts them recollected and exhibited for ACCA's Painting. More Painting exhibition during July, 2016. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490098951856-G9WYECI351YLWFQFE0OH/_AC_0187.jpg 2016 Furniture Paintings (2010/2016) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490098919181-CHS8GL4ZADXFKEY6YBT3/_AC_0189.jpg 2016 Furniture Paintings (2010/2016) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490098977678-QARUYVDHXBTJ15I5Z7JH/_AC_0190.jpg 2016 Furniture Paintings (2010/2016) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490099021643-VCIMDF9WZ3XE046CLYT7/_AC_0191.jpg 2016 Furniture Paintings (2010/2016) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490099045791-FHPRT0P8ASQR2D87CVV8/_AC_0192.jpg 2016 Furniture Paintings (2010/2016) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490099090288-79I2ZK6CHZPUF8CH4QMS/_AC_0193.jpg 2016 Furniture Paintings (2010/2016) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490099112929-EHA600PC6QB073HBGSVN/_AC_0194.jpg 2016 Furniture Paintings (2010/2016) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490099250683-77FMJ2MVBVA9BOZDS4OJ/_AC_0195.jpg 2016 Furniture Paintings (2010/2016) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490099156235-KYCEROGU6K3N4U2IGQS8/_AC_0196.jpg 2016 Furniture Paintings (2010/2016) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1490099174675-PADFH7MT9Y7MSC9B5CKN/_AC_0357.jpg 2016 Furniture Paintings (2010/2016) http://www.lisaradford.net/2017-afdm daily 0.75 2020-10-27 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559561010320-WUN5CV954T11UQY9LCDD/F_____Fig+%281%29.jpg 2017 AFDM AFDM (Another f****** Dear Masato) Some advice, or information (but not rules): NOT A PLAY This is not a play. It is a piece of writing. However this piece of writing might resemble a play. The writing was not written, it was spoken. It is the record of an exchange between Sophie Perillo and Cara Best. ACTS The writing is made from four Acts. These Acts could also be called vignettes or non-sequiturs. The performance of the Acts requires 2 Actors. There is a Chorus, which is additional. LOGIC & STRUCTURE Room B6.27 is the stage. Building B, Level 6 contains a loop. This loop is a structure with its own logic. DURATION The play will be performed at Monash over 2 hours. There will be a beginning, middle and an end, but in no particular order. *Special thanks to Sam George, Makiko Yamamoto and Kalinda Vary and the amazing Cara Best & Sophie Perillo, who wrote and performed this iteration. The script can be found here. x Text “Through those who are out of place” by Steven Sinn https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559561010320-WUN5CV954T11UQY9LCDD/F_____Fig+%281%29.jpg 2017 AFDM AFDM (Another f****** Dear Masato) Some advice, or information (but not rules): NOT A PLAY This is not a play. It is a piece of writing. However this piece of writing might resemble a play. The writing was not written, it was spoken. It is the record of an exchange between Sophie Perillo and Cara Best. ACTS The writing is made from four Acts. These Acts could also be called vignettes or non-sequiturs. The performance of the Acts requires 2 Actors. There is a Chorus, which is additional. LOGIC & STRUCTURE Room B6.27 is the stage. Building B, Level 6 contains a loop. This loop is a structure with its own logic. DURATION The play will be performed at Monash over 2 hours. There will be a beginning, middle and an end, but in no particular order. *Special thanks to Sam George, Makiko Yamamoto and Kalinda Vary and the amazing Cara Best & Sophie Perillo, who wrote and performed this iteration. The script can be found here. x Text “Through those who are out of place” by Steven Sinn https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572922568-1X8FTVAPXQZNTZYBTSJ6/Bong_Fig+%281%29.jpg 2017 AFDM - 2017 AFDM AFDM (Another f****** Dear Masato) Some advice, or information (but not rules): NOT A PLAY This is not a play. It is a piece of writing. However this piece of writing might resemble a play. The writing was not written, it was spoken. It is the record of an exchange between Sophie Perillo and Cara Best. ACTS The writing is made from four Acts. These Acts could also be called vignettes or non-sequiturs. The performance of the Acts requires 2 Actors. There is a Chorus, which is additional. LOGIC & STRUCTURE Room B6.27 is the stage. Building B, Level 6 contains a loop. This loop is a structure with its own logic. DURATION The play will be performed at Monash over 2 hours. There will be a beginning, middle and an end, but in no particular order. *Special thanks to Sam George, Makiko Yamamoto and Kalinda Vary. This version written with Cara Best & Sophie Perillo, many thanks. x Text “Through those who are out of place” by Steven Sinn https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572430358-93BFTIXXG072YVI3WFXG/IMG_9273.jpg 2017 AFDM - AFDM (Another f****** Dear Masato) Another fucking Dear Masato, all at once (get a life, the only thing that cuts across the species is death) SETTING Black Vinyl dot, 5 performers, Black IKEA Beckväm stool,2 x DXP 10-WATT HAND-HELD MEGAPHONE, 1 throw pillow, 1 taekwondo belt, Vesper Vibrator Rose Gold, 1 Avocado, Rhubarb, Flowers, Masato Takasaka’s Untitled (pegboards) Household gloss enamel on display shelf MDF pegboard (1979/1999) with blue circle self-adhesive vinyl stickers, Archival solander box made by Irwin & McLaren containing Fence Mesh Airtex Printed Pantone 3005, Vesper Vibrator Gold, 1 Megaphones, flowers, 1 Takewondo belt, 1 Lapiz Blue Uniqlo long rain coat with hood, Nonslip matting, 92 found images printed as props occupying 3163.845 centimetres, a set of used cue cards, 1 throw cushion, a usb of archival material relating to the works exhibited in Dear Masato, all at once (2014), a catalogue for Dear Masato, all at once (2014), a selection of 6 x 4 photographs taken by Assistant Director Teresa Noble from Dear Masato, all at once (get a life, the only thing that cuts across the species is death) (2016), suggestions for making a play and one script typeset by Rowan McNaught printed by Grant McDonald at Print City and co-authored by friends and members of Northern Theatre Company, Casula Powerhouse Youth Committee, George Grey Centre and Maffra High School including: KellyAnn Standley, Rekha Dhanaram, An Le, Ariadna Kiehn, Gregory Gaydon, SopeaArian Bozorg, George Grey Centre Gippsland, Georgie Glanville, Evelyn Morris, Rosemary Overall, Kylie White, Rebecca Harris, Tom Polo, David Capra, Annaliese Constable, Eva Abbinga, Geoffrey Watson, Rebecca Harris,Teresa Noble, Ange Arabatzis, Kelly Neilsen, Suzanne Brimley, Rebecca Grinblat, Genevieve Neve, Nicola De Rosbo-Davies, Sam Browne, Sally Guildford, Shrut Parmar (Nash), Bikramjeet Singh, Will Sutherland, Westpace, Melbourne. PERFORMERS Cara Best, Sophie Perillo, Sam George, Makiko Yamamoto and Kalinda Vary. WRITERS Cara Best, Sophie Perillo, Lisa Radford. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559573439452-OJZM8C5UPQI3QI0VCPFA/IMG_9284.jpg 2017 AFDM Another fucking Dear Masato, all at once (get a life, the only thing that cuts across the species is death) Flowers and Archival solander box made by Irwin & McLaren containing Fence Mesh Airtex Printed Pantone 3005, Vesper Vibrator Gold, 1 Megaphone, flowers, 1 Takewondo belt, 1 Lapiz Blue Uniqlo long rain coat with hood, Nonslip matting, 92 found images printed as props occupying 3163.845 centimetres, a set of used cue cards, 1 throw cushion, a usb of archival material relating to the works exhibited in Dear Masato, all at once (2014), a catalogue for Dear Masato, all at once (2014), a selection of 6 x 4 photographs taken by Assistant Director Teresa Noble from Dear Masato, all at once (get a life, the only thing that cuts across the species is death) (2016), suggestions for making a play and one script typeset by Rowan McNaught printed by Grant McDonald at Print City and co-authored by friends and members of Northern Theatre Company, Casula Powerhouse Youth Committee, George Grey Centre and Maffra High School including: KellyAnn Standley, Rekha Dhanaram, An Le, Ariadna Kiehn, Gregory Gaydon, SopeaArian Bozorg, George Grey Centre Gippsland, Georgie Glanville, Evelyn Morris, Rosemary Overall, Kylie White, Rebecca Harris, Tom Polo, David Capra, Annaliese Constable, Eva Abbinga, Geoffrey Watson, Rebecca Harris,Teresa Noble, Ange Arabatzis, Kelly Neilsen, Suzanne Brimley, Rebecca Grinblat, Genevieve Neve, Nicola De Rosbo-Davies, Sam Browne, Sally Guildford, Shrut Parmar (Nash), Bikramjeet Singh, Will Sutherland, Westpace, Melbourne. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572530483-E2Z5PH8453P4NTOPUR0Z/IMG_9287.jpg 2017 AFDM Another fucking Dear Masato, all at once (get a life, the only thing that cuts across the species is death) SETTING (distance) Masato Takasaka’s Untitled (pegboards) Household gloss enamel on display shelf MDF pegboard (1979/1999) with blue circle self-adhesive vinyl stickers, 2 Megaphones. Vesper Vibrator Gold, 1 Takewondo belt, 1 throw cushion, https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572537180-J78RUZ9ZKCFJA3DC4JP2/IMG_9289.jpg 2017 AFDM Another fucking Dear Masato, all at once (get a life, the only thing that cuts across the species is death) SETTING (detail) Masato Takasaka’s Untitled (pegboards) Household gloss enamel on display shelf MDF pegboard (1979/1999) with blue circle self-adhesive vinyl stickers, 2 Megaphones. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572541301-NHZIQBSUBX68EC9PEE9P/IMG_9293.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572546809-QZ43WFWDO6FBX45AJSR3/IMG_9307.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572550380-0QIVPCXRPWC36A4PEPMB/IMG_9309.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572556664-71QBJPNBFFIYQ08J4YLM/IMG_9310.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572567034-L897J3EOK3J1PT1DUPS1/IMG_9326.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572573436-ZY0SQS8ID27H64K1W2BP/IMG_9330.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572577807-FU8RC17RNLE4F23QQ2FP/IMG_9331.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572583007-JTUGFX9OTTB9OJ9VIFNY/IMG_9333.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572586778-6JD6VY3Y0S1I2Z7DYS01/IMG_9335.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572592338-SN3VO74VLZMW6QDTGSJG/IMG_9340.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572596727-VSL1AC3MWE5STKH4CA2H/IMG_9343.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572602296-1Z9ZJ3LTSW01285V9OR1/IMG_9346.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572612903-4K7WRZ1N11YI3OWGN5S6/IMG_9349.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572616781-C2GK41PKR6SFTASFOSN6/IMG_9351.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572620867-5KY3U3CRK885F6OC1EFR/IMG_9357.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572633585-A6T73B601QF81JP5IOX1/IMG_9384.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572647152-Y9ZHDCVAAAUKES48K7XE/IMG_9409.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572657944-X0ZJ80UXH96M6J00XPBA/IMG_9435.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572663055-UW5ESIQ36M6V94XAW4DE/IMG_9457.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572670740-JXEHB91MHJQGOX54XZLB/IMG_9472.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572675097-3AILXV0WNRWTPKYDD0X3/IMG_9479.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572680043-M8R2JVJG8ZUWICOZ5EH9/IMG_9489.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572689137-AJKBENAJTIHKZJ0YRRJY/IMG_9493.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572698573-PJNJ3F4I70X9DNWGTOIZ/IMG_9501.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572704508-85D6ZOK8JZALQJDAOPXB/IMG_9502.jpg 2017 AFDM 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https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572766184-CGLQ4PO031X2ZL32QFWA/IMG_9576.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572773660-AOTHRD1VP4VLWNR8UVP7/IMG_9620.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572779386-USW0S1LVR10WYJD6CPZA/IMG_9635.jpg 2017 AFDM https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559572792475-H1ELVZ4YS21IQMZYB5QX/IMG_9696.jpg 2017 AFDM http://www.lisaradford.net/2018-how-to-turn-a-ship-around daily 0.75 2020-01-28 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559562702344-NSWICAAN18F8HYPXRBLF/_E6A3452.jpg 2018 How to turn a ship around (They could say love) How to turn a ship around (They could say love) is a script and performance developed with Sam George in and from conversation with Danielle O’Brien (a Webb dock-sitter) and Josh Bornstein (lawyer at Maurice Blackburn who developed a legal strategy for the Maritime Union of Australia (MUA)) in reference to the 1998 Union dispute. Chloe Martin and Tref Gare performed this 8 minute 8 second script over 2 hours on 6 days during the exhibition State of the Union curated by Jacqueline Doughty at The Ian Potter Museum of Art. The Columbus Canada IMO 7800162 is a container ship that was prevented from docking by community action groups in Los Angeles. In May 1998, these action groups successfully stopped non-union loaded cargo on the Columbus Canada from being unloaded, and forced its repatriation to either Australia or New Zealand. This community action was not directed by the MUA but was a voluntary act of conscience by residents and workers to defend unionism and working conditions (http://www.takver.com/wharfie/may98.htm). The script refers to the actions of the union members and their families but also those that sat beside them. Some literally, such as Food not Bombs, students, political collectives, etc. Including Danielle O’Brien herself, who had recently moved from Adelaide after completing her MA. Influenced by the social and political actions of artists such as Ian Burn, Danielle sat at Webb dock in solidarity collecting signatures from the stevedores and their family members with the intention of making a quilt. The quilt never eventuated. The work Furniture Painting (Danielle's MUA) is a painting referent sitting beside the readymade quilt remnant belonging to Danielle — the ghost and its machine. They could say love riffs-off the history of abstraction by arranging a collection of flags from the international signal code for shipping which could only be read by the sailors (workers) and teachers of the code from a painting made by Lisa and Sam reading We can say love. The past-tense phrasing renders this new work both a celebration of what was achieved by the MUA in 1998, but is also a lament to unionism and solidarity of this time. Sam George and Lisa Radford How to turn a ship around (They could say love) 2018 performance, 8 minutes 8 seconds, looped, white sail, printed ticker tape, brass Zulu flag. Performed by Chloe Martin and Tref Gare with dramaturgy assistance from Rinske Ginsberg https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559562702344-NSWICAAN18F8HYPXRBLF/_E6A3452.jpg 2018 How to turn a ship around (They could say love) How to turn a ship around (They could say love) is a script and performance developed with Sam George in and from conversation with Danielle O’Brien (a Webb dock-sitter) and Josh Bornstein (lawyer at Maurice Blackburn who developed a legal strategy for the Maritime Union of Australia (MUA)) in reference to the 1998 Union dispute. Chloe Martin and Tref Gare performed this 8 minute 8 second script over 2 hours on 6 days during the exhibition State of the Union curated by Jacqueline Doughty at The Ian Potter Museum of Art. The Columbus Canada IMO 7800162 is a container ship that was prevented from docking by community action groups in Los Angeles. In May 1998, these action groups successfully stopped non-union loaded cargo on the Columbus Canada from being unloaded, and forced its repatriation to either Australia or New Zealand. This community action was not directed by the MUA but was a voluntary act of conscience by residents and workers to defend unionism and working conditions (http://www.takver.com/wharfie/may98.htm). The script refers to the actions of the union members and their families but also those that sat beside them. Some literally, such as Food not Bombs, students, political collectives, etc. Including Danielle O’Brien herself, who had recently moved from Adelaide after completing her MA. Influenced by the social and political actions of artists such as Ian Burn, Danielle sat at Webb dock in solidarity collecting signatures from the stevedores and their family members with the intention of making a quilt. The quilt never eventuated. The work Furniture Painting (Danielle's MUA) is a painting referent sitting beside the readymade quilt remnant belonging to Danielle — the ghost and its machine. They could say love riffs-off the history of abstraction by arranging a collection of flags from the international signal code for shipping which could only be read by the sailors (workers) and teachers of the code from a painting made by Lisa and Sam reading We can say love. The past-tense phrasing renders this new work both a celebration of what was achieved by the MUA in 1998, but is also a lament to unionism and solidarity of this time. Sam George and Lisa Radford How to turn a ship around (They could say love) 2018 performance, 8 minutes 8 seconds, looped, white sail, printed ticker tape, brass Zulu flag. Performed by Chloe Martin and Tref Gare with dramaturgy assistance from Rinske Ginsberg https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559559628431-8F57VOSK76GBS426RD2O/_E6A3449.jpg 2018 How to turn a ship around (They could say love) Sam George and Lisa Radford How to turn a ship around (They could say love) 2018 performance, 8 minutes 8 seconds, looped, white sail, printed ticker tape, brass Zulu flag. Performed by Chloe Martin and Tref Gare with dramaturgy assistance from Rinske Ginsberg https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559559641008-V1NB4YNSGXOVY53DW3VS/RE6A3283.jpg 2018 How to turn a ship around (They could say love) Sam George and Lisa Radford How to turn a ship around (They could say love) 2018 performance, 8 minutes 8 seconds, looped, white sail, printed ticker tape, brass Zulu flag. Performed by Chloe Martin and Tref Gare with dramaturgy assistance from Rinske Ginsberg https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559559662227-TM8FFFR7BWX8M0UE2ASR/_E6A3291.jpg 2018 How to turn a ship around (They could say love) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559562676419-HF75TS1RB0ZJ9UZ2NIXV/4.+How+to+turn+a+ship+around+%28They+could+say+love%29+finger.jpg 2018 How to turn a ship around (They could say love) Sam George and Lisa Radford How to turn a ship around (They could say love), 2018, performance, 8 minutes 8 seconds, looped, white sail, printed ticker tape, brass Zulu flag. Performed by Chloe Martin and Tref Gare with dramaturgy assistance from Rinske Ginsberg Lisa Radford, Furniture Paintings (Danielle’s MUA), 1998-2015, acrylic on wood, tarp, plastic bags, glass, frame. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559559671137-T8VH58L3HQCPCWK4VPL0/_E6A3295.jpg 2018 How to turn a ship around (They could say love) Sam George and Lisa Radford How to turn a ship around (They could say love), 2018, performance, 8 minutes 8 seconds, looped, white sail, printed ticker tape, brass Zulu flag. Performed by Chloe Martin and Tref Gare with dramaturgy assistance from Rinske Ginsberg Lisa Radford, Furniture Paintings (Danielle’s MUA), 1998-2015, acrylic on wood, tarp, plastic bags, glass, frame. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559559679249-S6LILUK8TZRVRB2EED18/_E6A3363.jpg 2018 How to turn a ship around (They could say love) Sam George and Lisa Radford How to turn a ship around (They could say love), 2018, performance, 8 minutes 8 seconds, looped, white sail, printed ticker tape, brass Zulu flag. Performed by Chloe Martin and Tref Gare with dramaturgy assistance from Rinske Ginsberg Lisa Radford, Furniture Paintings (Danielle’s MUA), 1998-2015, acrylic on wood, tarp, plastic bags, glass, frame. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559559684831-B2QE1JODV9M9VH2T22Q2/_E6A3367.jpg 2018 How to turn a ship around (They could say love) Sam George and Lisa Radford How to turn a ship around (They could say love), 2018, performance, 8 minutes 8 seconds, looped, white sail, printed ticker tape, brass Zulu flag. Performed by Chloe Martin and Tref Gare with dramaturgy assistance from Rinske Ginsberg https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559559704523-0XDUW6X35XX2LSQWOHPW/_E6A3395.jpg 2018 How to turn a ship around (They could say love) Sam George and Lisa Radford How to turn a ship around (They could say love), 2018, performance, 8 minutes 8 seconds, looped, white sail, printed ticker tape, brass Zulu flag. Performed by Chloe Martin and Tref Gare with dramaturgy assistance from Rinske Ginsberg Lisa Radford, Furniture Paintings (Danielle’s MUA), 1998-2015, acrylic on wood, tarp, plastic bags, glass, frame. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559559716138-MUCY9XI35Q45LXYO5XY1/_E6A3401.jpg 2018 How to turn a ship around (They could say love) Sam George and Lisa Radford How to turn a ship around (They could say love), 2018, performance, 8 minutes 8 seconds, looped, white sail, printed ticker tape, brass Zulu flag. Performed by Chloe Martin and Tref Gare with dramaturgy assistance from Rinske Ginsberg Lisa Radford, Furniture Paintings (Danielle’s MUA), 1998-2015, acrylic on wood, tarp, plastic bags, glass, frame. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559559736553-RC6GNXD3AY9RS34IO659/_E6A3414.jpg 2018 How to turn a ship around (They could say love) Sam George and Lisa Radford How to turn a ship around (They could say love), 2018, performance, 8 minutes 8 seconds, looped, white sail, printed ticker tape, brass Zulu flag. Performed by Chloe Martin and Tref Gare with dramaturgy assistance from Rinske Ginsberg Lisa Radford, Furniture Paintings (Danielle’s MUA), 1998-2015, acrylic on wood, tarp, plastic bags, glass, frame. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559559751433-25IO1GAVFMPRRWL892LM/_E6A3444.jpg 2018 How to turn a ship around (They could say love) Sam George and Lisa Radford How to turn a ship around (They could say love), 2018, performance, 8 minutes 8 seconds, looped, white sail, printed ticker tape, brass Zulu flag. Performed by Chloe Martin and Tref Gare with dramaturgy assistance from Rinske Ginsberg Lisa Radford, Furniture Paintings (Danielle’s MUA), 1998-2015, acrylic on wood, tarp, plastic bags, glass, frame. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559573378886-WR4E5PRLENUPLBY226OS/1.+International+Signal+code+%28How+to+turn+a+ship+around%29.jpeg 2018 How to turn a ship around (They could say love) International Signal code (How to turn a ship around) 2018, Screen print on cotton, 1200 x 1200mm Paralleling How to turn a ship around (We can say love) at the Ian Potter Museum, this work was commissioned by Bus Projects for their fundraiser with support of Stewart Russell, Spacecraft. One of the flags was raised as part of the ‘Top of the World’ series hosted by Wardell Architecture above both the gallery and spacecraft studio. http://www.lisaradford.net/2017-to-mirror-two-foxes daily 0.75 2020-10-27 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559564589254-QVNL9WH97MZLXPOBI4YH/5.+To+mirror%2C+two+foxes%2C+2017+.jpg 2017 To mirror, two foxes To mirror, two foxes (with Sam George and Kim Munro) 2017 , video installation, 8 mins 11 secs. A mime interprets a series of responses to the Living Museum of the West by students from the VCA. Exhibited in The Archival Reflex curated by Matthew Davis and Susan Long. A deposit was also made to the museum titled Archiving the archivists (ice cream with chilli powder) a 6 hour film document which featured in depth interviews with custodians of the Living Museum conducted in 2014 which formed the basis of It has to be more than just two foxes and a hen deciding what to have for lunch, 2014 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559564589254-QVNL9WH97MZLXPOBI4YH/5.+To+mirror%2C+two+foxes%2C+2017+.jpg 2017 To mirror, two foxes To mirror, two foxes (with Sam George and Kim Munro) 2017 , video installation, 8 mins 11 secs. A mime interprets a series of responses to the Living Museum of the West by students from the VCA. Exhibited in The Archival Reflex curated by Matthew Davis and Susan Long. A deposit was also made to the museum titled Archiving the archivists (ice cream with chilli powder) a 6 hour film document which featured in depth interviews with custodians of the Living Museum conducted in 2014 which formed the basis of It has to be more than just two foxes and a hen deciding what to have for lunch, 2014 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559567554810-G2VPBH9YT5WQOXS8BBEY/file-1.jpeg 2017 To mirror, two foxes To mirror, two foxes (with Kim Munro) 2017 , video production, 8 mins 11 secs. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559567571097-5V81S9PE1RWJKD082ZIP/file1.jpeg 2017 To mirror, two foxes To mirror, two foxes (with Kim Munro) 2017 , video installation, 8 mins 11 secs. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559567581303-WO2WQU7FIVYVR4RCZOA5/file2.jpeg 2017 To mirror, two foxes Archiving the archivists (ice cream with chilli powder) a 6 hour film document which featured in depth interviews with custodians of the Living Museum conducted in 2014. Deposited in 2017, this document closes the work It has to be more than just two foxes and a hen deciding what to have for lunch begun in 2014. http://www.lisaradford.net/2018-there-will-be-nudity-intermittently daily 0.75 2020-10-27 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559689199561-ZWFR80FLRH9Z9EJNI2DE/IMG_4794_2000_c.jpg 2018 There will be nudity, intermittently There will be nudity, intermittently contributed to the project Duck on the Pond organised by Darcey Bella Arnold. A group show investigating the newly inaugurated AFL Women’s (AFLW 2017) Australia’s national Australian rules football league for female players it included work by Kalinda Vary, Elena Betros López, Salote Tawale, Noriko Nakamura, Roberta Joy Rich, Lisa Radford and Darcey Bella Arnold. Curated by Darcey Bella Arnold. The exhibition was held in the George Harris Room located within IKON PARK, the home of the AFLW. Using the site specifically as a profoundly entrenched meeting place for the public, the exhibition took over the arena in an attempt to begin a dialogue about the AFLW, AFL and Australian sporting culture. Lisa Radford There will be nudity, intermittently Breanna McCarter and disclaimer in title on roomsheet, 2018 Script for a Streaker is here. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559689199561-ZWFR80FLRH9Z9EJNI2DE/IMG_4794_2000_c.jpg 2018 There will be nudity, intermittently There will be nudity, intermittently contributed to the project Duck on the Pond organised by Darcey Bella Arnold. A group show investigating the newly inaugurated AFL Women’s (AFLW 2017) Australia’s national Australian rules football league for female players it included work by Kalinda Vary, Elena Betros López, Salote Tawale, Noriko Nakamura, Roberta Joy Rich, Lisa Radford and Darcey Bella Arnold. Curated by Darcey Bella Arnold. The exhibition was held in the George Harris Room located within IKON PARK, the home of the AFLW. Using the site specifically as a profoundly entrenched meeting place for the public, the exhibition took over the arena in an attempt to begin a dialogue about the AFLW, AFL and Australian sporting culture. Lisa Radford There will be nudity, intermittently Breanna McCarter and disclaimer in title on roomsheet, 2018 Script for a Streaker is here. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559689187837-IR83860TBZPUT0U91PX4/IMG_4810_2000_c.jpg 2018 There will be nudity, intermittently https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559689206331-2JB8XY7SKFVOVJJ9JUR3/IMG_4775_2000_c.jpg 2018 There will be nudity, intermittently https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559689210351-ZDAGPMRTXNG8DVIC2WSA/IMG_4764_2000_c.jpg 2018 There will be nudity, intermittently https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1559689215670-RQJMUS1J4D88TFV6JS1V/IMG_4751_2000_c.jpg 2018 There will be nudity, intermittently http://www.lisaradford.net/2019-for-you-broccoli daily 0.75 2020-10-27 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1601467570516-RCVJ5G66KRJ6OTJRFB4R/image-asset.jpeg 2019 for you broccoli https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1572390983959-PNM4EOIGG0VBT18XD3XZ/for+you+broccoli%2C+installation+view+4.jpg 2019 for you broccoli for you broccoli 2019 (with Colleen Ahern & Amanda Marburg) Sutton Gallery 7 September - 5 October 2019 The 18th-century painter Thomas Gainsborough used broccoli in his landscape models. Tony Clark was the Broccoli Maestro. Slave Piano’s wrote a play. King Knightshade returned, the asparagus will soon have its day — Je suis broccoli.for you broccoli is an exhibition accompanied by a play made in conversation with Amanda Marburg and Colleen Ahern. The script and text was designed by Rowan McNaught. Musical accompaniment by Yundi Wang and Evelyn Pohl. Photos: Andrew Curtis. A catalogue document of the exhibition, Je suit broccoli was published by Diane Inc. in early 2020 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603791749522-W5NZRW7I211NMNB188RH/image-asset.jpeg 2019 for you broccoli Je Suis Broccoli, 2019 1:21 video. Sutton Gallery 7 September - 5 October 2019 The 18th-century painter Thomas Gainsborough used broccoli in his landscape models. Tony Clark was the Broccoli Maestro. Slave Piano’s wrote a play. King Knightshade returned, the asparagus will soon have its day — Je suis broccoli. for you broccoli is an exhibition accompanied by a play made in conversation with Amanda Marburg and Colleen Ahern. The script and text was designed by Rowan McNaught. Musical accompaniment by Yundi Wang and Evelyn Pohl. Photos: Andrew Curtis. A catalogue document of the exhibition, Je suit broccoli was published by Diane Inc. in early 2020 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1572393058926-SI7INK5N0WJ6HWCQTB1C/Lisa+Radford%2C+Character+Painting+%28Chorus+-+The+Broccolini+Slave+Piano%27s%29%2C+2019.jpg 2019 for you broccoli Character Painting (Chorus - The Broccolini Slave Piano's), 2019 oil on linen https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1572393108545-SKLQU0FPHE14WGSUUKQK/Lisa+Radford%2C+Character+Painting+%28Title+Page%29%2C+2019.jpg 2019 for you broccoli Character Painting (Title Page), 2019 oil on linen https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1572393164835-EK1591GWORAR483NROFV/Lisa+Radford%2C+Le+Broccolini+feat.+King+Knightshade%2C+Blue+Singlets+et+la+Famille+du+Chou%2C+2019.jpg 2019 for you broccoli Le Broccolini feat. King Knightshade, Blue Singlets et la Famille du Chou, 2019 green buckham solander box by Phil Ridgway, ceramic mushroom, postcard of Mrs Siddons as the “THE TRAGIC MUSE” by Sir Joshua Reynolds, one blue chesty bonds, one yellow vest, 16pp script for the Le Broccolini, one bronze broccoli, walnut. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1572393132039-LYWYBGXQCG7JLNDCTFVG/Lisa+Radford%2C+Character+Painting+%28King+Knightshade%29%2C+2019.jpg 2019 for you broccoli Character Painting (King Knightshade) 2019, oil on linen https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1601469194249-HW9TU6Q0BB729NGOTJT9/image-asset.jpeg 2019 for you broccoli for you broccoli Sutton Gallery. 7 September - 5 October 2019 The 18th-century painter Thomas Gainsborough used broccoli in his landscape models. Tony Clark was the Broccoli Maestro. Slave Piano’s wrote a play. King Knightshade returned, the asparagus will soon have its day. Je suis broccoli. for you broccoli is an exhibition accompanied by a play made in conversation with Amanda Marburg and Colleen Ahern. Text designed by Rowan McNaught. Musical accompaniment by Yundi Wang and Evelyn Pohl. Photos: Andrew Curtis https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1572397738825-L8XC4D6FLCYZ7D3MG0R3/Lisa+Radford%2C+Character+Painting+%28The+Pink+Trojan+Horse%29%2C+2019.jpg 2019 for you broccoli https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1572393089796-4GSX6391ARIXQM1AKIJ4/Lisa+Radford%2C+Character+Painting+%28Oliver+de+Serres%29%2C+2019.jpg 2019 for you broccoli Character Painting (Oliver de Serres), 2019 oil on linen https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1572397711703-OXB6NVB79HS99Y22WF3M/Lisa+Radford%2C+Character+Painting+%28Joshua+Reynolds%29%2C+2019.jpg 2019 for you broccoli Character Painting (Joshua Reynolds), 2019 oil on linen https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1572397780172-2YERLQUJQOCQLEZOSWGQ/Lisa+Radford%2C+Character+Painting+%28Gainsborough%29%2C+2019.jpg 2019 for you broccoli https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1572390939252-BXQNSGOA8R4LQL9UJQRO/_AC_1768.jpg 2019 for you broccoli for you broccoli 2019 (with Colleen Ahern & Amanda Marburg) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1601472197609-98ZUX5MQTTC21O6VUSQC/image-asset.jpeg 2019 for you broccoli King Knightshade Refrain, 2019 for you broccoli Sutton Gallery 7 September - 5 October 2019 The 18th-century painter Thomas Gainsborough used broccoli in his landscape models. Tony Clark was the Broccoli Maestro. Slave Piano’s wrote a play. King Knightshade returned, the asparagus will soon have its day — Je suis broccoli. for you broccoli is an exhibition accompanied by a play made in conversation with Amanda Marburg and Colleen Ahern. Text designed by Rowan McNaught. Musical accompaniment by Yundi Wang and Evelyn Pohl. Photos: Andrew Curtis https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1572390921074-S34UX6FR4BBWCG9KBFTJ/_AC_1773.jpg 2019 for you broccoli for you broccoli 2019 (with Colleen Ahern & Amanda Marburg) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1601467446541-0GJ69V0G3MGXYB8NZBHF/_AC_1748.jpg 2019 for you broccoli for you broccoli 2019 (with Colleen Ahern & Amanda Marburg). Sutton Gallery. 7 September - 5 October 2019 The 18th-century painter Thomas Gainsborough used broccoli in his landscape models. Tony Clark was the Broccoli Maestro. Slave Piano’s wrote a play. King Knightshade returned, the asparagus will soon have its day. Je suis broccoli. for you broccoli is an exhibition accompanied by a play made in conversation with Amanda Marburg and Colleen Ahern. Songs from the play, with music written by Yundi Wang and Evelyn Pohl, and tied up by Matthew Davis. Text designed by Rowan McNaught. Musical accompaniment by Yundi Wang and Evelyn Pohl. Photos: Andrew Curtis http://www.lisaradford.net/new-gallery-2 daily 0.75 2020-01-29 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1580219567986-8HNJLJQQAFA02XQBCCFR/SCROV.jpg 2020 The Master of the Scrovegni Chapel Choir The Master of the Scrovegni Chapel Choir presents Kylie White’s Manifesto of a Digital Relationship is an exhibition and performance by Sam George &Lisa Radford. 25 frescoes, 152 emails, 2 actors and one opera singer. Using the manuscript of an affair conducted over email between 11 April and December 25, 2011 Sam George & Lisa Radford attempted to find a materiality in the space between Melbourne and San Diego mediated by technology in plaster, pigment, voice and time. The performances on January 25, an atomised opera, utilised the time the emails were sent to explore the space of desire and doubt in choral form. An opera singer chanted the verbal descriptions of the attachments (literal and figural) mostly images, that Kylie and David send to each other over the 9 month period. Attachments is an accompanying booklet which contains a collection of fragments from a chart documenting the position of the sun in relation to Melbourne and San Diego based on the time attachments were sent as found in the as yet unpublished manuscript Manifesto of an Electronic Relationship by Kylie White and used as reference to produce the accompanying 25 frescoes in the exhibition. This document accompanies the exhibition The Master of the Scrovegni Chapel Choir presents Kylie White’s Manifesto of an Electronic Relationship by Sam George and Lisa Radford at Caves Gallery, 15th to 25th January, 2020 On Saturday January 25, 2020 at Caves Gallery, Room 13, Level 8, The Nicholas Building (37 Swanston Street), Melbourne the Chapel Choir comprising of members Andrew Kershaw, Ange Arabatzis and Emma Hall, performed the script contained twice. In the performance, the contents of the attachments are sung. Special thanks and love to the choir Ange Arabatzis, Emma Hall and Andrew Kershaw; Ezz Monem for photographic documentation, Jordan Halsall the Go Pro Pro; Anna Varendorff our Bell Technician, Storm Gold Master of Caves and lastly Kylie White - our muse https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1580219567986-8HNJLJQQAFA02XQBCCFR/SCROV.jpg 2020 The Master of the Scrovegni Chapel Choir The Master of the Scrovegni Chapel Choir presents Kylie White’s Manifesto of a Digital Relationship is an exhibition and performance by Sam George &Lisa Radford. 25 frescoes, 152 emails, 2 actors and one opera singer. Using the manuscript of an affair conducted over email between 11 April and December 25, 2011 Sam George & Lisa Radford attempted to find a materiality in the space between Melbourne and San Diego mediated by technology in plaster, pigment, voice and time. The performances on January 25, an atomised opera, utilised the time the emails were sent to explore the space of desire and doubt in choral form. An opera singer chanted the verbal descriptions of the attachments (literal and figural) mostly images, that Kylie and David send to each other over the 9 month period. Attachments is an accompanying booklet which contains a collection of fragments from a chart documenting the position of the sun in relation to Melbourne and San Diego based on the time attachments were sent as found in the as yet unpublished manuscript Manifesto of an Electronic Relationship by Kylie White and used as reference to produce the accompanying 25 frescoes in the exhibition. This document accompanies the exhibition The Master of the Scrovegni Chapel Choir presents Kylie White’s Manifesto of an Electronic Relationship by Sam George and Lisa Radford at Caves Gallery, 15th to 25th January, 2020 On Saturday January 25, 2020 at Caves Gallery, Room 13, Level 8, The Nicholas Building (37 Swanston Street), Melbourne the Chapel Choir comprising of members Andrew Kershaw, Ange Arabatzis and Emma Hall, performed the script contained twice. In the performance, the contents of the attachments are sung. Special thanks and love to the choir Ange Arabatzis, Emma Hall and Andrew Kershaw; Ezz Monem for photographic documentation, Jordan Halsall the Go Pro Pro; Anna Varendorff our Bell Technician, Storm Gold Master of Caves and lastly Kylie White - our muse https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1580219020493-XQ2QWC62KUCQCDLKXQ0K/frescoes.jpeg 2020 The Master of the Scrovegni Chapel Choir https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1580217579260-I6QYJT6N6INIR7SW6VOU/DSCF6317.jpg 2020 The Master of the Scrovegni Chapel Choir https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1580217620118-7EQLERFJJQ6YQ3YVOGQM/DSCF6319.jpg 2020 The Master of the Scrovegni Chapel Choir https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1580219443999-F9ZYP05LLCAVT655KHMI/SCROV.jpg 2020 The Master of the Scrovegni Chapel Choir - The Master of the Scrovegni Chapel Choir presents Kylie White’s Manifesto of an Electronic Relationship The Master of the Scrovegni Chapel Choir presents Kylie White’s Manifesto of an Electronic Relationship is an exhibition and performances at CAVES Gallery Melbourne. Using the manuscript of an affair conducted over email between 11 April and December 25, 2011 - Sam George & Lisa Radford find a materiality in the space between Melbourne and San Diego mediated by technology in plaster, pigment, voice and time. The performance is an atomised opera that uses the time the emails were sent to explore that space of desire and doubt in an oral form and was performed twice on Saturday January 25 at 4pm and 5pm. Our opera singer chants the verbal descriptions of the attachments (literal and figural) mostly images, that Kylie and David send to each other over the 9 month period documented in Kylie White’s unpublished manifesto. In the gallery 25 frescoes documenting the time in Melbourne and San Diego at the time the attachments were sent in plaster and lapis lazuli on linen and measuring 40 x 30 cm each and made in 2019. Special thanks and love to the choir Ange Arabatzis, Emma Hall and Andrew Kershaw; Ezz Monem for photographic documentation, Jordan Halsall the Go Pro Pro; Anna Varendorff our Bell Technician, Storm Gold Master of Caves and lastly Kylie White - our muse. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1580217661674-WKQ3CCJKHZZEUIVWI4Y5/DSCF6341.jpg 2020 The Master of the Scrovegni Chapel Choir https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1580217716724-GP7HUYE4I7O8178ABZ8T/DSCF6361.jpg 2020 The Master of the Scrovegni Chapel Choir https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1580217750293-SJ7OEACY033CX37XVN7Z/DSCF6372.jpg 2020 The Master of the Scrovegni Chapel Choir https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1580217791890-URBHMZTVSKXY4RAGXVMQ/DSCF6375.jpg 2020 The Master of the Scrovegni Chapel Choir 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https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1580221129596-18UHP9GGO6HSHNFMB55G/DSCF6555.jpg 2020 The Master of the Scrovegni Chapel Choir http://www.lisaradford.net/2015-a-letter-to-muma daily 0.75 2020-10-27 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603762417221-6X5WKYUV4OS1V5L91EIK/For_MUMA_Kate.jpeg 2015 A letter to MUMA I should’ve done this years ago (I asked him to make some signs for me, I asked him to make a sign for himself), 2007. with Charles Radford, enamel on wood https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603762417221-6X5WKYUV4OS1V5L91EIK/For_MUMA_Kate.jpeg 2015 A letter to MUMA I should’ve done this years ago (I asked him to make some signs for me, I asked him to make a sign for himself), 2007. with Charles Radford, enamel on wood https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603764561492-5C5783Y2XIL59805I28R/A+Letter+for+MUMA_edit_Page_1.jpg 2015 A letter to MUMA A letter to MUMA written and read out at Generational gestures: contemporary artists and their fathers https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603762880550-ZOISRDY73P79K58BBMAU/A+Letter+for+MUMA_edit_Page_1.jpg 2015 A letter to MUMA https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603763080316-L9MDN5GV24JK4Z2N4JCK/A+Letter+for+MUMA_edit_Page_2.jpg 2015 A letter to MUMA https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603762289505-0N5C77TLM8R3YFL6DWYE/image-asset.jpeg 2015 A letter to MUMA A letter to MUMA for Generational Gestures: Contemporary artists and their fathers https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603763081842-W6AQAKKJZ877U04T759N/A+Letter+for+MUMA_edit_Page_3.jpg 2015 A letter to MUMA https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603763082340-4YJ3PHAVS99XN8LCSWL4/A+Letter+for+MUMA_edit_Page_4.jpg 2015 A letter to MUMA https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603762423685-EHOT1ITW41S003N2W6LW/4_LRadford_OldSkool_2007.jpg 2015 A letter to MUMA Maps & Coats of Arms (with Charles Radford), 2005 acrylic on mdf, ladder, 20 litre paint tins https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603762444342-6C29EFIBAN4JQRNHKE69/3_LRadford_MapsProcess2.jpg 2015 A letter to MUMA Making Maps & Coats of Arms http://www.lisaradford.net/2012-furniture-paintings daily 0.75 2020-10-27 https://static1.squarespace.com/static/53d18a0be4b0b39b6505c07c/t/5f97b9fcf2f38f6a04e0f124/1603778360220/ 2012 Furniture Paintings https://static1.squarespace.com/static/53d18a0be4b0b39b6505c07c/5f97b6b8fc589f4025dc7573/5f97b7384e05db43a1384e40/1603778360220/ 2012 Furniture Paintings https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603778385824-AWFYXKQLVY6H12VXBCQT/02_LRadford_FurniturePainting%28901SouthMorang%29.jpg 2012 Furniture Paintings Furniture Painting (901 South Morang), 2012 acrylic on ply https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603778385372-01T9MLULL0EOVKOTRTVB/02_LRadford_FurniturePainting%28Copenhagen_Berlin%29.jpg 2012 Furniture Paintings Furniture Painting (Copenhagen - Berlin), 2012 acrylic on ply https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603778391488-8QJ338YJ1UDTAPYOM9E3/02_LRadford_FurniturePainting%28hermanstrasse%29.jpg 2012 Furniture Paintings Furniture Painting (Hermanstrasse), 2012 acrylic on ply https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603778474629-KAD5QODWNB5D4YID2AUP/02_LRadford_FurniturePainting%28London%29.jpg 2012 Furniture Paintings Furniture Painting (London), 2012 acrylic on ply https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1603778401154-VBAKIHFHRTQ0VF7X5MU8/02_LRadford_FurniturePainting%28Londonagain%29.jpg 2012 Furniture Paintings Furniture Painting (London again), 2012 acrylic on ply 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https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644986351748-VMIYC6X3JKP06AHVIFHH/BW_IMG_4025.jpg 2021 The image is not nothing (Concrete Archives) - The image is not nothing (Concrete Archives) A collaboration between Kokatha and Nukunu artist Yhonnie Scarce and Melbourne based artist Lisa Radford, The image is not nothing (Concrete Archive) examines the on-going effects of colonisation on Aboriginal people. Between 1956 and 1963, the British conducted Nuclear Tests at Maralinga, South Australia. For several years Yhonnie Scarce has returned to Woomera and Maralinga in order to conceptualise and produce works that act as a memorial to the unspoken displacement and genocide of Aboriginal people as a result of these tests. In this context, Maralinga is a site for beginning to consider the role of memorialisation and how it might be conceptualised and actualised. Lead by artists, The image is not nothing (Concrete Archive) asks how we can address the cultural amnesia which obfuscates if not renders invisible the the Genocide of Aboriginal people in Australia since colonisation in order to address the impact this has had on our shared experiences, conflicts and representations of citizenship. An evolving project documenting the shared experiences of 2 women: one Aboriginal, the other non-Aboriginal, Concrete Archives has involved fieldwork to local and international sites of nuclear colonisation, genocide and memorialisation, an editorial project with Art + Australia online and a major curatorial project debuting at ACE Open (ADL) and travelling to the VCA (MEL) — this digital, oral and exhibition "archive" includes historical and contemporary works making materially present the loss. Artists: Mareike Bernien and Kerstin Schroedinger (DE), Kumanara Boogar (Yalata, AU), Phil Collins (DE), Megan Cope (Quandamooka), Trent Crawford(Naarm, AU), Matthew Davis (AU), Pam Diment (Ceduna, AU), Korpys/Löffler (DE), Rosemary Laing (AU), Hayley Millar-Baker (AU), Sanja Pahoki(Woiwurrung, AU), Warren Paul (Ebay) (Yalata, AU), Ashley Perry(Quandamooka), Nina Sanadze (AU), Jelena Telecki (AU), Unbound Collective (Kaurna Yarta, AU), and Judy Watson (Waanyi, AU). https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644986351748-VMIYC6X3JKP06AHVIFHH/BW_IMG_4025.jpg 2021 The image is not nothing (Concrete Archives) - The image is not nothing (Concrete Archives) A collaboration between Kokatha and Nukunu artist Yhonnie Scarce and Melbourne based artist Lisa Radford, The image is not nothing (Concrete Archive) examines the on-going effects of colonisation on Aboriginal people. Between 1956 and 1963, the British conducted Nuclear Tests at Maralinga, South Australia. For several years Yhonnie Scarce has returned to Woomera and Maralinga in order to conceptualise and produce works that act as a memorial to the unspoken displacement and genocide of Aboriginal people as a result of these tests. In this context, Maralinga is a site for beginning to consider the role of memorialisation and how it might be conceptualised and actualised. Lead by artists, The image is not nothing (Concrete Archive) asks how we can address the cultural amnesia which obfuscates if not renders invisible the the Genocide of Aboriginal people in Australia since colonisation in order to address the impact this has had on our shared experiences, conflicts and representations of citizenship. An evolving project documenting the shared experiences of 2 women: one Aboriginal, the other non-Aboriginal, Concrete Archives has involved fieldwork to local and international sites of nuclear colonisation, genocide and memorialisation, an editorial project with Art + Australia online and a major curatorial project debuting at ACE Open (ADL) and travelling to the VCA (MEL) — this digital, oral and exhibition "archive" includes historical and contemporary works making materially present the loss. Artists: Mareike Bernien and Kerstin Schroedinger (DE), Kumanara Boogar (Yalata, AU), Phil Collins (DE), Megan Cope (Quandamooka), Trent Crawford(Naarm, AU), Matthew Davis (AU), Pam Diment (Ceduna, AU), Korpys/Löffler (DE), Rosemary Laing (AU), Hayley Millar-Baker (AU), Sanja Pahoki(Woiwurrung, AU), Warren Paul (Ebay) (Yalata, AU), Ashley Perry(Quandamooka), Nina Sanadze (AU), Jelena Telecki (AU), Unbound Collective (Kaurna Yarta, AU), and Judy Watson (Waanyi, AU). https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987778538-XYBZV9ZDMH1EMACIIZHV/ACE_OPEN_ADDITIONAL_-2.jpg 2021 The image is not nothing (Concrete Archives) Nina Sanadze Apotheosis, 2021 An original studio archive of a prominent soviet monumental sculptor Valentin Topuridze (1907-1980), plaster models, moulds and fragments. 1600 x 3100 x 600 cm. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987777912-L5E9LK6NW1WFYKVO11SX/ACE_THISIMAGEISNOTNOTHING_001.jpg 2021 The image is not nothing (Concrete Archives) Phil Collins zašto ne govorim srpski (na srpskom) 2008 single channel video projection, b/w and colour, sound, 34:00 minutes https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987490294-GN0O7WOSSWM9HOCKWK4I/ACE_THISIMAGEISNOTNOTHING_003.jpg 2021 The image is not nothing (Concrete Archives) Kumanara Boogar Walpa (Wind) Bulga (Big) Maralinga c.2010 acrylic on canvas, 95.5 x 71cm Pam Diment Maralinga 2015 clay, glaze, body stains, 50 x 20cm https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987506474-5SASNHUOIYR8WH04AMQO/ACE_THISIMAGEISNOTNOTHING_008.jpg 2021 The image is not nothing (Concrete Archives) Niki Hastings McFall Nuclear Rosary—White Sunday Kumanara Boogar Walpa (Wind) Bulga (Big) Maralinga c.2010 acrylic on canvas, 95.5 x 71cm Pam Diment Maralinga 2015 clay, glaze, body stains, 50 x 20cm https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987491340-UHDEN15GGN6GRPE53EMM/ACE_THISIMAGEISNOTNOTHING_004.jpg 2021 The image is not nothing (Concrete Archives) Rosemary Laing one dozen considerations, Totem 1, Emu 2013 C type photograph, 48.6 x 77.1 x 6cm one dozen considerations, Totem 2, Emu 2013 C type photograph, 112.6 x 196.6 x 7.4cm https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987491908-NSOMXY0XHVRICW0UZKDS/ACE_THISIMAGEISNOTNOTHING_006.jpg 2021 The image is not nothing (Concrete Archives) - The image is not nothing (Concrete Archives), ACE Open, installation view https://static1.squarespace.com/static/53d18a0be4b0b39b6505c07c/620c7cc791e8f2478a820a0f/620c8464ddf9596bcb465e87/1644988582042/ACE_THISIMAGEISNOTNOTHING_007.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987493137-911TZV4EUNVEYU84CZY5/ACE_THISIMAGEISNOTNOTHING_011.jpg 2021 The image is not nothing (Concrete Archives) Trent Crawford Newclear (Single story reinforced masonry block house) 2017 Newclear (Two story brick & cinder block house with basement shelters) 2017) Newclear (Single story frame house rambler with reinforced concrete bathroom) 2017 Newclear (LPG as pumping and distribution station) 2017 silver gelatin prints, 60 x 47.5cm each https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987493449-BH1BFVO8IDRX2OKFA34N/ACE_THISIMAGEISNOTNOTHING_013.jpg 2021 The image is not nothing (Concrete Archives) The Image is Not Nothing (Concrete Archives), ACE Open, installation image https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987494321-BXWC9L0LV1JW5EKG3ZP2/ACE_THISIMAGEISNOTNOTHING_014.jpg 2021 The image is not nothing (Concrete Archives) Hayley Millar-Baker Untitled (The best means, of caring for, and dealing with them in the future) 2018 Untitled (So he mixed arsenic with half the flour and a raging thirst was created) 2018 Untitled (The theft of the White men’s sheep) 2018 inkjet on cotton, 80 x 100cm each eBay (Warren Paul) Marcoo 2016 clay, earthenware, body stains, 35 x 22cm Kite 2016 clay, earthenware, 32 x 29cm https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987494875-MUYWTZVV8AIYZRSRCD9A/ACE_THISIMAGEISNOTNOTHING_015.jpg 2021 The image is not nothing (Concrete Archives) Hayley Millar-Baker Untitled (The best means, of caring for, and dealing with them in the future) 2018 Untitled (So he mixed arsenic with half the flour and a raging thirst was created) 2018 Untitled (The theft of the White men’s sheep) 2018 inkjet on cotton, 80 x 100cm each https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987495374-M9JJ9T49FR4SCOG7MMDL/ACE_THISIMAGEISNOTNOTHING_017.jpg 2021 The image is not nothing (Concrete Archives) The image is not nothing (Concrete Archives), ACE Open, installation image. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987495882-1WLWZQNVR43953V2JHCX/ACE_THISIMAGEISNOTNOTHING_018.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987497023-BGVMM8VETJXUQ4IRSLN2/ACE_THISIMAGEISNOTNOTHING_020.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987497176-77PYWJPSUNTH90BBRQT1/ACE_THISIMAGEISNOTNOTHING_021.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987499498-3XXAYWP72NFZQBKLOZPX/ACE_THISIMAGEISNOTNOTHING_023.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987499494-PM9UAUHU4GV5V3B04NR7/ACE_THISIMAGEISNOTNOTHING_024.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987500894-BT44S5UYKX4IL6MC8UTM/ACE_THISIMAGEISNOTNOTHING_025.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987501638-D9IAFDK20J5YDP0EQMW3/ACE_THISIMAGEISNOTNOTHING_027.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987502065-9H8DQZ2TU4AXUH43M261/ACE_THISIMAGEISNOTNOTHING_026.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987502600-WPKU1SRY5KPVT7FZ7KWF/ACE_THISIMAGEISNOTNOTHING_028.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987503015-MQUU92CNQMMT9C0MHF15/ACE_THISIMAGEISNOTNOTHING_029.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987503545-C181F3N4BRPMBN7EK3YN/ACE_THISIMAGEISNOTNOTHING_039.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987504073-6W1ZUZ67GW7DM77IJRJ7/ACE_THISIMAGEISNOTNOTHING_043.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987504735-NAPRW3OD4U64PLGEGP3O/ACE_THISIMAGEISNOTNOTHING_045.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987505302-JIFH1FKDDQUGJVDMBEA5/ACE_THISIMAGEISNOTNOTHING_050.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987506074-J4GNBXD0VZKEJ3KF9UYW/ACE_THISIMAGEISNOTNOTHING_061.jpg 2021 The image is not nothing (Concrete Archives) https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987507271-AAYVAHFWBPU2NVUHZS07/ACE_THISIMAGEISNOTNOTHING_010.jpg 2021 The image is not nothing (Concrete Archives) http://www.lisaradford.net/2021-the-dugong-sublime daily 0.75 2022-02-16 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990236363-M5ZW4UMK3FU12H9LA24X/DSCF2726.jpg 2021 The Dugong Sublime - The Dugong Sublime Sam George & Lisa Radford The Dugong Sublime 2021 2 channel video installation and accompanying performance with ‘Veronica Franco v Instagram’ (bronze nipples). Sound by Felicity Mangan, performance development with Evelyn Pohl and Yundi Wang. Video adaptation of ‘On the beach’ (1959), script adaption from ‘Hotel Sorrento’ (1990) . The Dugong Sublime (Hotel Sorrento) is polyphonic vocal performance that used extracts from Hannie Rayson’s script for Hotel Sorrento (1989) as means for giving a part voice to artworks by Stuart Ringholt and Mutlu Cerkez held in the collection of  Buxton Contemporary. The performance was been developed by Sam George and Lisa Radford, with Evelyn Pohl and Yundi Wang. It was performed by Freyja Black, Ivy Crago, Sophia Derkenne, Ludomyr Kemp-Mykyta and Iris Simpson Thanks to Jane E. German and Danny Lacy from Mornington Peninsular Regional Gallery and Mark Friedlander. Performance documentation by Ezz Monem Commissioned for This is a Poem, curated by Melissa Keys for Buxton Contemporary. Sam George and Lisa Radford’s The dugong sublime is an epic absurdist poem with multiple interconnecting and intertwined cultural and historical references, narratives and ideas. George and Radford’s episodic project began with the selection of two self-portraits – a painted self-portrait by Mutlu Çerkez Untitled: 17 April 2023 and Stuart Ringholt’s Everything I own, a bound book containing an inventory list of everything that the artist owned in the year 2002. While discussing the approach that they would take to creating their ekphrastic poem as part of this exhibition, George posed the question to Radford ‘what is the purpose of poetry’ – however, a slip of the tongue turned this question into ‘what is the porpoise of poetry’ at which point their investigation took an oceanic turn. Responding to their selected artworks through processes of association, intuition, emotion and sensation, the porpoise was soon replaced by the dugong, a gentle, highly social, sea creature that is of significance in numerous cultures and vulnerable to over-exploitation – vulnerability and social care being qualities that George and Radford identify in Çerkez and Ringholt’s approaches to art practice. The score of The dugong sublime is, in part, based on the echo sounding language of chirps, whistles and barks that dugong’s use underwater in order to communicate. After numerous attempts to swim with a dugong, each thwarted by rolling travel restrictions, an experience the artists had anticipated would be an encounter with the sublime, they turned their attention locally to Port Phillip bay – to look for a Dugong, in a place that they knew the animals cannot be found. While undertaking an artist’s residency at the Police Point, Quarantine Station, in the Point Nepean National Park, George recorded a sequence of video of the sea floor, that now forms part of this presentation. This recording is as much of the marine environment, as it is of an absence. During their stay in Point Nepean the artists came upon a number of old film reels held in the Queenscliff Gallery each of which was shot in the area. Among the reels is a copy of the post-apocalyptic science fiction film On the Beach (1959) and the film version of the well-known play Hotel Sorrento (1995) by Hannie Rayson that engages with Australia’s place in the world and the enduring impact of cultural cringe. Paired with the footage of the sea floor, scenes of Gregory Peck’s character in On the Beach, Commander Dwight Lionel Towers, is seen peering through a submarine periscope looking for signs of humanity. It is a sequence that ironically underscores the artists’ and their collaborators open-ended exploration and search with its multiple diversions and ellipses and no particular destination in mind but instead a series of natural phenomena, fragments of histories, and ideas alive with possibility. --- https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990236363-M5ZW4UMK3FU12H9LA24X/DSCF2726.jpg 2021 The Dugong Sublime - The Dugong Sublime Sam George & Lisa Radford The Dugong Sublime 2021 2 channel video installation and accompanying performance with ‘Veronica Franco v Instagram’ (bronze nipples). Sound by Felicity Mangan, performance development with Evelyn Pohl and Yundi Wang. Video adaptation of ‘On the beach’ (1959), script adaption from ‘Hotel Sorrento’ (1990) . The Dugong Sublime (Hotel Sorrento) is polyphonic vocal performance that used extracts from Hannie Rayson’s script for Hotel Sorrento (1989) as means for giving a part voice to artworks by Stuart Ringholt and Mutlu Cerkez held in the collection of  Buxton Contemporary. The performance was been developed by Sam George and Lisa Radford, with Evelyn Pohl and Yundi Wang. It was performed by Freyja Black, Ivy Crago, Sophia Derkenne, Ludomyr Kemp-Mykyta and Iris Simpson Thanks to Jane E. German and Danny Lacy from Mornington Peninsular Regional Gallery and Mark Friedlander. Performance documentation by Ezz Monem Commissioned for This is a Poem, curated by Melissa Keys for Buxton Contemporary. Sam George and Lisa Radford’s The dugong sublime is an epic absurdist poem with multiple interconnecting and intertwined cultural and historical references, narratives and ideas. George and Radford’s episodic project began with the selection of two self-portraits – a painted self-portrait by Mutlu Çerkez Untitled: 17 April 2023 and Stuart Ringholt’s Everything I own, a bound book containing an inventory list of everything that the artist owned in the year 2002. While discussing the approach that they would take to creating their ekphrastic poem as part of this exhibition, George posed the question to Radford ‘what is the purpose of poetry’ – however, a slip of the tongue turned this question into ‘what is the porpoise of poetry’ at which point their investigation took an oceanic turn. Responding to their selected artworks through processes of association, intuition, emotion and sensation, the porpoise was soon replaced by the dugong, a gentle, highly social, sea creature that is of significance in numerous cultures and vulnerable to over-exploitation – vulnerability and social care being qualities that George and Radford identify in Çerkez and Ringholt’s approaches to art practice. The score of The dugong sublime is, in part, based on the echo sounding language of chirps, whistles and barks that dugong’s use underwater in order to communicate. After numerous attempts to swim with a dugong, each thwarted by rolling travel restrictions, an experience the artists had anticipated would be an encounter with the sublime, they turned their attention locally to Port Phillip bay – to look for a Dugong, in a place that they knew the animals cannot be found. While undertaking an artist’s residency at the Police Point, Quarantine Station, in the Point Nepean National Park, George recorded a sequence of video of the sea floor, that now forms part of this presentation. This recording is as much of the marine environment, as it is of an absence. During their stay in Point Nepean the artists came upon a number of old film reels held in the Queenscliff Gallery each of which was shot in the area. Among the reels is a copy of the post-apocalyptic science fiction film On the Beach (1959) and the film version of the well-known play Hotel Sorrento (1995) by Hannie Rayson that engages with Australia’s place in the world and the enduring impact of cultural cringe. Paired with the footage of the sea floor, scenes of Gregory Peck’s character in On the Beach, Commander Dwight Lionel Towers, is seen peering through a submarine periscope looking for signs of humanity. It is a sequence that ironically underscores the artists’ and their collaborators open-ended exploration and search with its multiple diversions and ellipses and no particular destination in mind but instead a series of natural phenomena, fragments of histories, and ideas alive with possibility. --- https://static1.squarespace.com/static/53d18a0be4b0b39b6505c07c/620c8270fe7e0408b05eb164/620c82943e1ddb4ba9aa8146/1644987028263/ 2021 The Dugong Sublime https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987090970-8ZDTOYUEVE107JWS6UK3/21-7_Buxton_Poem_61.jpg 2021 The Dugong Sublime https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987090537-384YJXKDHTBNQAGDU2D2/21-7_Buxton_Poem_62.jpg 2021 The Dugong Sublime https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644987092959-N93DPSQST100F7Q5QGXG/21-7_Buxton_Poem_60.jpg 2021 The Dugong Sublime 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https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990170931-1FGIYTC66PYU39C5GBFZ/DSCF2532.jpg 2021 The Dugong Sublime https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990480316-6SKG84YH4IYKGLHX85HB/DSCF2914.jpg 2021 The Dugong Sublime https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990480300-ICW8K7UP729O5MRMDTZ6/DSCF2920.jpg 2021 The Dugong Sublime https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990249034-9EN26LLVDU5BMY1B1IF8/DSCF2697.jpg 2021 The Dugong Sublime https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990186273-GB5WQY4081KEAJX8CB59/DSCF2600.jpg 2021 The Dugong Sublime https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990191933-I1ZCIP64GFO53FBEKLA5/DSCF2606.jpg 2021 The Dugong Sublime https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990204178-YXFAGSJ3NWV2FG36Z1B1/DSCF2615.jpg 2021 The Dugong Sublime 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https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990360884-RVXP6F7CDT1LYNQA8XBI/DSCF3068.jpg 2021 The Dugong Sublime https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990391911-EAYU6269QUP9HXK3SGXI/DSCF3156.jpg 2021 The Dugong Sublime https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990306632-1LYI3FKVI05NF7MD707M/DSCF2858.jpg 2021 The Dugong Sublime https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990430075-79C0KZB3FPB9LWSBQJNH/DSCF3185.jpg 2021 The Dugong Sublime https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1644990453877-RQ0GOCORSKBB6S7RCB2U/DSCF3189.jpg 2021 The Dugong Sublime http://www.lisaradford.net/2023-adeles-lounge-room-paintings daily 1.0 2023-07-03 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688381567275-H5JIFV53PXBG59LIXO15/Adele%27sLRP_2_Page_1.jpg 2023 Adele's Lounge Room Paintings Adele’s Lounge Room Paintings Catalogue: Jan Bryant https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688381567275-H5JIFV53PXBG59LIXO15/Adele%27sLRP_2_Page_1.jpg 2023 Adele's Lounge Room Paintings Adele’s Lounge Room Paintings Catalogue: Jan Bryant https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688380563905-Y5SP5P7P8LZCRCZNX6ZA/DSCF1868-HDR.jpg 2023 Adele's Lounge Room Paintings Adele’s Lounge Room Paintings Fu-On Chung and Lisa Radford [01 June – June 18, 2023] TCB artinc. 1-5 Wilkinson St, Brunswick www.tcbartinc.org.au Catalogue Essay by Jan Bryant Exhibition documentation: Ezz Monem https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688380479189-MN5837U66647DCW5FM7B/DSCF1846-HDR-Edit.jpg 2023 Adele's Lounge Room Paintings Adele’s Lounge Room Paintings Fu-On Chung and Lisa Radford [01 June – June 18, 2023] https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688380504208-HJVRPOP20SFO2OTPMUEE/DSCF2078-HDR.jpg 2023 Adele's Lounge Room Paintings Adele’s Lounge Room Paintings Fu-On Chung and Lisa Radford [01 June – June 18, 2023] Fu-On Chung Podium, oil on canvas, 30 x 50, 2023 Fu-On Chung Trap Door, oil and acrylic on canvas, 35 x 40, 2023 Fu-On Chung Rosalina, oil and acrylic on canvas, 35 x 40, 2023 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688380546338-I6KGR222BDBG1DN1TU2B/DSCF1823-HDR.jpg 2023 Adele's Lounge Room Paintings Lisa Radford Understudy (Images want to be kissed), oil and acrylic on linen, 36 x 51, 2023 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688380580846-VT91MW8IOOLEKRTTPS91/DSCF1877-HDR.jpg 2023 Adele's Lounge Room Paintings Lisa Radford Understudy (Caesar’s Palace), oil and acrylic on linen, 46 x 36, 2023 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688380612777-VMK2DC42CT95EI2WJ79G/DSCF1888-HDR.jpg 2023 Adele's Lounge Room Paintings Lisa Radford Understudy (The Imperial), oil and acrylic on linen, 46 x 36, 2023 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688380630222-FBKR87Q8GIX9RV828DGY/DSCF1889-HDR.jpg 2023 Adele's Lounge Room Paintings Lisa Radford Understudy (Hitler’s Bunker), oil and acrylic on linen, 46 x 36, 2023 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688381584488-VR4HYKDOP82LHJUZHR91/Adele%27sLRP_2_Page_2.jpg 2023 Adele's Lounge Room Paintings Adele’s Lounge Room Paintings Catalogue: Jan Bryant http://www.lisaradford.net/2022-veronica-franco-v-instagram daily 0.75 2023-07-03 https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688384606219-6XIRBU82QQIVL8M3MD70/RadfordGeorge_Poster%5B9%5D_Page_4.jpg 2022 Veronica Franco v Instagram Veronica Franco v Instagram Sam George & Lisa Radford 27 May - 25 June 2022 | Gertrude Glasshouse | 44 Glasshouse Road, Collingwood Veronica Franco v Instagram is a duel between Veronica Franco, the 16th century Italian poet, courtesan, feminist, and philanthropist and the algorithm in search of the corporeal. Emerging from a commission presented at Buxton Contemporary, Melbourne for the exhibition THIS IS A POEM, Veronica Franco v Instagram was developed in conversation with a performative nut-cluster of actors who individually and collectively speak and sing a script adapted from Hannie Rayson's 1990 book Hotel Sorrento, in prose and protest. The artists would like to acknowledge and thank performers: Freyja Black, Sophia Derkenne, Ludomyr Kemp-Mykyta, Ivy Crago, Iris Simpson, Frazer Shepherdson, Lauren Swain, Jess Lu and Molly Mechen. Review Sitting at the fuzzy periphery by Katie Paine in Performance Review Online https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688384606219-6XIRBU82QQIVL8M3MD70/RadfordGeorge_Poster%5B9%5D_Page_4.jpg 2022 Veronica Franco v Instagram Veronica Franco v Instagram Sam George & Lisa Radford 27 May - 25 June 2022 | Gertrude Glasshouse | 44 Glasshouse Road, Collingwood Veronica Franco v Instagram is a duel between Veronica Franco, the 16th century Italian poet, courtesan, feminist, and philanthropist and the algorithm in search of the corporeal. Emerging from a commission presented at Buxton Contemporary, Melbourne for the exhibition THIS IS A POEM, Veronica Franco v Instagram was developed in conversation with a performative nut-cluster of actors who individually and collectively speak and sing a script adapted from Hannie Rayson's 1990 book Hotel Sorrento, in prose and protest. The artists would like to acknowledge and thank performers: Freyja Black, Sophia Derkenne, Ludomyr Kemp-Mykyta, Ivy Crago, Iris Simpson, Frazer Shepherdson, Lauren Swain, Jess Lu and Molly Mechen. Review Sitting at the fuzzy periphery by Katie Paine in Performance Review Online https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383732095-2ROIA07BQ7SDKLY086K4/Sam_Lisa_VeronicaFrancoVInstagram_DSCF4923.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383679044-0E0KJTSITW57RBCJVDDR/Sam_Lisa_VeronicaFrancoVInstagram_DSCF4667.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383688448-3R5WC3PXS3L19P8XPQ1F/Sam_Lisa_VeronicaFrancoVInstagram_DSCF4734.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383746201-US9HVJLP41LQJWMKD4A4/Sam_Lisa_VeronicaFrancoVInstagram_DSCF4989.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383692081-OOWSFXZD3BA3J88J1I3U/Sam_Lisa_VeronicaFrancoVInstagram_DSCF4756.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383699095-3FX5BZF5M1C3QWOACQY6/Sam_Lisa_VeronicaFrancoVInstagram_DSCF4784.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383701048-2VJ867LPQ7PMRS6J7Q9I/Sam_Lisa_VeronicaFrancoVInstagram_DSCF4803.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383762251-ELW8XS9GC3Y0AULL4FHQ/Sam_Lisa_VeronicaFrancoVInstagram_DSCF5015.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383707890-IDX0SMIK1YXKIIN7EK04/Sam_Lisa_VeronicaFrancoVInstagram_DSCF4819.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383711129-1ESZOM743U8VYR9KB7WB/Sam_Lisa_VeronicaFrancoVInstagram_DSCF4835.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383721842-B41RDAUK001YQ90JI8WA/Sam_Lisa_VeronicaFrancoVInstagram_DSCF4887.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383724879-91A90W2T7RDPPN219L59/Sam_Lisa_VeronicaFrancoVInstagram_DSCF4904.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383735641-NP42ABCD8TGK6ECNMU30/Sam_Lisa_VeronicaFrancoVInstagram_DSCF4959.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383749086-EAT5XK5S0ZNA48QU3MSM/Sam_Lisa_VeronicaFrancoVInstagram_DSCF5001.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383755938-Q9ZDN4HN13XWHCUY15XO/Sam_Lisa_VeronicaFrancoVInstagram_DSCF5006.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688383767718-2QDLA5UH37FMIV0BNHBF/Sam_Lisa_VeronicaFrancoVInstagram_DSCF5094.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Photo: Ezz Monem. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688384610920-KQJ5Z5TRTXEZK0S4XCB6/RadfordGeorge_Poster%5B9%5D_Page_3.jpg 2022 Veronica Franco v Instagram Sam George & Lisa Radford, Veronica Franco v Instagram, 2022, performance documentation, Gertrude Glasshouse, Melbourne. Catalogue Essay: Spiros Panigirakis. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688384587855-HE7PB99AAZK3F9JF2SQU/RadfordGeorge_Poster%5B9%5D_Page_2.jpg 2022 Veronica Franco v Instagram https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688385214507-8C2HTF7TW493H4WDV2O0/1653881270-22-5_gertrude_glasshouse-12.jpg 2022 Veronica Franco v Instagram Sam George and Lisa Radford, Veronica Franco v Instagram, presented at Gertrude Glasshouse 2022. Photo: Christian Capurro. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688385231097-G4A5JSCIDVN6EWY4LN6O/1653880867-22-5_gertrude_glasshouse-1.jpg 2022 Veronica Franco v Instagram Sam George and Lisa Radford, Veronica Franco v Instagram, presented at Gertrude Glasshouse 2022. Photo: Christian Capurro. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688385231594-QTIC1X4JD8W8N7Y5W8ND/1653880908-22-5_gertrude_glasshouse-2.jpg 2022 Veronica Franco v Instagram Sam George and Lisa Radford, Veronica Franco v Instagram, presented at Gertrude Glasshouse 2022. Photo: Christian Capurro. https://images.squarespace-cdn.com/content/v1/53d18a0be4b0b39b6505c07c/1688385232350-JIRZ3TVEB2SA6IEARBUT/1653880962-22-5_gertrude_glasshouse-3.jpg 2022 Veronica Franco v Instagram Sam George and Lisa Radford, Veronica Franco v Instagram, presented at Gertrude Glasshouse 2022. Photo: Christian Capurro. http://www.lisaradford.net/lisaradford daily 0.75 2022-07-11